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The Ultimate Guide To +111 Music Genres You’ll Love

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Rock/Acoustic

Global average: 103 BPM

Rock and acoustic music span a wide range of styles, from unplugged ballads to stripped-back rock arrangements. Acoustic rock often features organic instruments and heartfelt lyrics. BPM typically ranges from 70 BPM to 110 BPM, depending on the mood—slower for introspective tracks and faster for rhythmic acoustic rock anthems.

Rock & Roll

🎸

Global average: 130 BPM

BPM Range: 110 BPM-160 BPM

Rock and Roll exploded in the mid-1950s, mainly in the United States. It brought raw energy, rebellious spirit, and a brand-new sound to the youth of the time.

The name “rock and roll” was popularised by DJ Alan Freed, who used it to describe upbeat rhythm & blues records that made people want to dance. And boy, did they dance.

It’s known for driving beats, electric guitar riffs, and catchy vocal hooks. The classic rhythm is a backbeat—strong accents on beats two and four that get you moving.

Rock and Roll was born from a mix of Blues, Country, Gospel, and RnB. It changed everything.

It sparked the creation of Rock, Punk, Pop, Metal, and even influenced Hip-Hop. It was the Big Bang of modern popular music.

20 Essential Rock & Roll Songs

Chuck Berry – Johnny B. Goode – 168 BPM - (released: March 1958)

Elvis Presley – Jailhouse Rock – 164 BPM - (released: September 1957)

Little Richard – Tutti Frutti – 156 BPM - (released: October 1955)

Buddy Holly – Peggy Sue – 144 BPM - (released: September 1957)

Jerry Lee Lewis – Great Balls of Fire – 168 BPM - (released: November 1957)

Bill Haley & His Comets – Rock Around the Clock – 176 BPM - (released: May 1954)

Bo Diddley – Bo Diddley – 136 BPM - (released: April 1955)

Carl Perkins – Blue Suede Shoes – 168 BPM - (released: January 1956)

Ritchie Valens – La Bamba – 171 BPM - (released: October 1958)

Gene Vincent – Be-Bop-A-Lula – 118 BPM - (released: May 1956)

The Everly Brothers – Wake Up Little Susie – 141 BPM - (released: September 1957)

Eddie Cochran – Summertime Blues – 150 BPM - (released: July 1958)

Roy Orbison – Ooby Dooby – 148 BPM - (released: May 1956)

The Coasters – Yakety Yak – 160 BPM - (released: April 1958)

Dale Hawkins – Susie Q – 143 BPM - (released: May 1957)

Link Wray – Rumble – 118 BPM - (released: March 1958)

Fats Domino – Blueberry Hill – 70 BPM - (released: September 1956)

Johnny Burnette Trio – Train Kept A-Rollin’ – 166 BPM - <a href='https://www.youtube.com/watch?v=VuwEaxdsonc' target="_blank" title='Johnny Burnette & The Rock 'N' Roll Trio – The Train Kept A Rollin'' (released: May 1956)

Big Joe Turner – Shake, Rattle and Roll – 152 BPM - (released: June 1954)

Elvis Presley – Hound Dog – 174 BPM - (released: July 1956)

Blues

🎷

Global average: 60 BPM–100 BPM (varies widely)
BPM Range: 40 BPM-130 BPM

Blues originated among African American communities in the South of the U.S. in the late 19th century.

It grew from spirituals, work songs, field hollers, and folk traditions—expressing hardship, emotion, and resilience.

The term “blues” probably comes from “blue devils”—meaning sadness or melancholy.

It’s known for blue notes (flattened thirds, fifths, sevenths), call‑and‑response, a 12‑bar structure, and expressive vocal bending.

It draws from African musical traditions, spirituals, Folk, Ragtime, Gospel. It influenced Jazz, RnB, Rock, Soul, Hip-Hop, and more.

7 Representative Blues Songs

Robert Johnson – Cross Road Blues – ~85 BPM - (released: 1936)

B.B. King – The Thrill Is Gone – ~61 BPM - (released: December 1969)

Muddy Waters – Rollin’ and Tumblin’ – ~140 BPM–158 BPM (variable in versions) - (early recording: 1929)

Howlin’ Wolf – Smokestack Lightnin’ – ~80 BPM - (released: 1956)

Etta James – At Last – ~68 BPM - (released: 1960)

Buddy Guy – Damn Right, I’ve Got the Blues – ~96 BPM - (released: 1991)

Eric Clapton – Tears in Heaven (blues‑influenced) – ~79 BPM - (released: October 1992)

Psychedelic Rock

🌈🌀🎸

Global average: 108 BPM

BPM Range: 85 BPM-135 BPM

Psychedelic Rock bloomed in the mid-to-late 1960s, especially in places like San Francisco, London, and Los Angeles. It mirrored the rise of counterculture, peace protests, and mind-expanding experiences.

The term “psychedelic” refers to music influenced by or designed to simulate the effects of hallucinogenic drugs like LSD. Sounds wild? It is.

This genre is known for dreamy lyrics, long instrumental jams, unusual chord changes, experimental effects, and Eastern influences. Think backwards guitars, sitars, tape loops, and trippy vibes.

It grew out of Blues, Folk, and Garage Rock, blending free expression with sonic exploration.

Psychedelic Rock gave birth to Progressive Rock, space rock, Acid Rock, and influenced modern Indie and Alternative Rock. It’s a genre that makes your ears feel like they’re floating.

7 Essential Psychedelic Rock Songs

Pink Floyd – See Emily Play – 123 BPM - (released: June 1967)

Jefferson Airplane – White Rabbit – 112 BPM - (released: June 1967)

The Jimi Hendrix Experience – Purple Haze – 114 BPM - (released: March 1967)

The Doors – The End – 86 BPM - (released: January 1967)

The Beatles – Tomorrow Never Knows – 120 BPM - (released: August 1966)

13th Floor Elevators – Slip Inside This House – 132 BPM - (released: October 1967)

The Zombies – Hung Up on a Dream – 102 BPM - (released: April 1968)

Acid Rock

🌌⚡🎸

Global average: 120 BPM

BPM Range: 100 BPM-150 BPM

Acid Rock is an outgrowth of late-’60s psychedelic rock—darker, heavier, and more distorted. It’s often seen as the bridge between Psychedelic Rock and early heavy rock/Heavy Metal.

The “acid” label comes from its association with LSD and expanded consciousness. Musically, it’s full of fuzz, feedback, extended jams, and mind-bending textures.

Acid rock draws from Psychedelic Rock, Blues, and Garage Rock.

From it were born genres like Hard Rock, Heavy Metal, and later stoner rock and doom.

It’s rock that’s trippy, loud, and immersive.

15 Representative Acid Rock Tracks

The Jimi Hendrix Experience – Voodoo Child (Slight Return) – 127 BPM - (released: November 1968)

Cream – Sunshine of Your Love – 112 BPM - (released: November 1967)

Jefferson Airplane – White Rabbit – 112 BPM - (released: June 1967)

The Doors – Light My Fire – 123 BPM - (released: April 1967)

Iron Butterfly – In-A-Gadda-Da-Vida – 104 BPM - (released: June 1968)

The Rolling Stones – 2000 Light Years from Home – 118 BPM - (released: December 1967)

Cream – Tales of Brave Ulysses – 138 BPM - (released: 1967)

The Who – I Can See for Miles – 142 BPM - (released: April 1967)

Pink Floyd – Interstellar Overdrive – ~120 BPM - (released: 1967)

The Doors – The End – 86 BPM - (released: January 1967)

Country Joe & The Fish – Section 43 – ~125 BPM - (released: 1968)

Blue Cheer – Summertime Blues – 155 BPM - (released: 1968)

The Electric Prunes – I Had Too Much to Dream (Last Night) – ~130 BPM - (released: 1966)

Jefferson Airplane – Somebody to Love – 134 BPM - (released: July 1967)

The Grateful Dead – Dark Star – ~115 BPM - (released: March 1968)

Krautrock

⚙️🚀🌌

Global average: 110 BPM

BPM Range: 80 BPM-140 BPM

Krautrock is a term for experimental rock from Germany in late 1960s–1970s. Bands like Can, Kraftwerk, Neu!, Faust pushed boundaries.

The word “kraut” comes from a (derogatory) nickname for Germans, reclaimed by critics for this style.

It’s known for motorik rhythms (steady, driving beats), minimalism, synth experimentation, electronic textures, and improvisation.

It draws from Rock, avant-garde, Electronic, psychedelia. It influenced Ambient, Post-punk, Electronic, neo‑psych, and contemporary experimental rock.

7 Representative Krautrock Tracks

Neu! – Hallogallo – 110 BPM - (released: 1972)

Can – Vitamin C – ~116 BPM - (released: 1972)

Kraftwerk – Autobahn – ~120 BPM - (released: 1974)

Faust – So Far – ~125 BPM - (released: 1972)

Amon Düül II – Archangel’s Thunderbird – ~108 BPM - (released: mid‑1970s)

Cluster – Zuckerzeit (track) – ~100 BPM - (released: 1974)

Harmonia – Watussi – ~112 BPM - (released: 1976)

Rock

🎸🔥🕶️

Global average: 115 BPM

BPM Range: 90 BPM-150 BPM

Rock began rolling in the 1950s, evolving from Rock & Roll, Blues, and Country. It grew loud, bold, and rebellious, with a backbeat that made you move and lyrics that made you feel.

The term “rock” came from “rock and roll,” itself rooted in African American slang for dancing or passion. As the genre evolved, "rock" became a broad term for music with attitude and amplification.

Guitar, bass, and drums form the heart of Rock. Add raspy vocals, gritty solos, and pounding rhythms—and you’ve got the real thing.

It took over in the ’60s with bands like The Beatles and The Rolling Stones. The ’70s brought Hard Rock and Punk, the ’80s delivered Glam Rock and Alternative Rock, and the ’90s gave us Grunge and Indie Rock.

Rock spawned countless subgenres. But at its core, it’s always been music that stands up, speaks out, and shakes things up.

7 Essential Rock Songs

Queen – Bohemian Rhapsody – 144 BPM - (released: October 1975)

The Beatles – Come Together – 84 BPM - (released: October 1969)

Led Zeppelin – Whole Lotta Love – 91 BPM - (released: November 1969)

Nirvana – Smells Like Teen Spirit – 117 BPM - (released: September 1991)

The Rolling Stones – (I Can’t Get No) Satisfaction – 136 BPM - (released: June 1965)

Jimi Hendrix – All Along the Watchtower – 114 BPM - (released: September 1968)

The Killers – Mr. Brightside – 148 BPM - (released: September 2003)

British Invasion

🎤🇬🇧🎸

Global average: 125 BPM

BPM Range: 100 BPM-145 BPM

British Invasion refers to the wave of British rock and pop bands that took over American charts in the mid-1960s. It all started when The Beatles hit U.S. TV screens—and everything changed.

The term “British Invasion” was coined by American media. Suddenly, the UK was exporting catchy melodies, mop-top haircuts, and a rock ‘n’ roll revival with a fresh attitude.

The music mixed Rock & Roll, Blues, Skiffle, and a dash of pop charm. Bands were young, energetic, and brought a stylish edge to familiar American sounds.

The movement was led by legends like The Beatles, The Rolling Stones, and The Kinks. It reshaped global pop culture and laid the foundation for Psychedelic Rock, Hard Rock, and Britpop.

British Invasion wasn’t just a musical moment—it was a cultural explosion that still echoes today.

7 Essential British Invasion Songs

The Beatles – I Want to Hold Your Hand – 130 BPM - (released: November 1963)

The Rolling Stones – (I Can’t Get No) Satisfaction – 136 BPM - (released: June 1965)

The Kinks – You Really Got Me – 128 BPM - (released: August 1964)

The Who – My Generation – 132 BPM - (released: October 1965)

The Animals – House of the Rising Sun – 117 BPM - (released: June 1964)

Herman’s Hermits – I’m Into Something Good – 132 BPM - (released: August 1964)

The Yardbirds – For Your Love – 110 BPM - (released: March 1965)

Skiffle

🎶🎤🌾

Global average: 100 BPM

BPM Range: 80 BPM-130 BPM

Skiffle emerged in mid‑1950s Britain, inspired by American Folk, Blues, Jazz, classic jug band music, American tradition music.

It’s known for its DIY spirit—many musicians used homemade instruments like washboards, tea-chest bass, and simple guitars.

Skiffle gave birth to a generation of British rock musicians (many early British rockers played skiffle first).

It influenced British Rock, beat music, early rock & roll.

7 Classic Skiffle Songs

Lonnie Donegan – Rock Island Line – ~110 BPM - (released: 1955)

Lonnie Donegan – My Old Man’s a Dustman – 100 BPM - (released: 1960)

The Quarrymen – That’ll Be the Day (skiffle version) – ~120 BPM - (released: 1957)

Mac MacLeod – Blue Smoke – ~105 BPM - (released: late 1950s)

Bruce Welch – The Bird Song – ~115 BPM - (released: 1958)

Chas McDevitt Skiffle Group – Freddie Frinton – ~108 BPM - (released: 1957)

Bob Cort Skiffle – Country Garden – ~95 BPM - (released: 1958)

British Rock

🇬🇧🎸🎤

Global average: 120 BPM

BPM Range: 100 BPM-140 BPM

British Rock refers broadly to rock music made in the UK or strongly identified with British culture. It rose from the British Invasion era (1960s) and evolved through decades via Progressive Rock, Punk, Britpop, modern Indie Rock, and more.

In other words, the term “British rock” isn’t rigid—it covers many substyles. What unites it is the cultural context: UK identity, British accents, local musical traditions.

It draws heavily from Rock & Roll, Blues, and Folk roots.

It’s rock that sounds British—melodic, bold, and rooted in a long musical lineage.

15 Representative British Rock Tracks

The Beatles – Hey Jude – 72 BPM - (released: August 1968)

The Rolling Stones – Paint It, Black – 160 BPM - (released: May 1966)

The Who – Baba O’Riley – 120 BPM - (released: May 1971)

Queen – Bohemian Rhapsody – 72–144 BPM sections - (released: October 1975)

Led Zeppelin – Stairway to Heaven – ~82 BPM - (released: November 1971)

Pink Floyd – Comfortably Numb – 127 BPM - (released: November 1979)

David Bowie – Heroes – 113 BPM - (released: October 1977)

The Kinks – You Really Got Me – 128 BPM - (released: August 1964)

The Jam – Town Called Malice – 144 BPM - (released: July 1982)

Oasis – Supersonic – 104 BPM - - (released: February 1994)

Arctic Monkeys – I Bet You Look Good on the Dancefloor – 183 BPM - (released: October 2005)

Radiohead – Paranoid Android – ~92 BPM - (released: May 1997)

The Smiths – How Soon Is Now? – 104 BPM - (released: June 1985)

Blur – Parklife – 170 BPM - (released: April 1994)

Coldplay – Yellow – 88 BPM - (released: June 2000)

Garage Rock

Global average: 135 BPM

BPM Range: 120 BPM-160 BPM

Garage rock roared out of suburban garages in the early-to-mid 1960s, mainly in the U.S. and Canada. It was raw, rebellious, and gloriously unpolished.

The name comes from the idea that these bands were so amateur they must be practicing in their parents’ garages. And many of them were.

This genre was defined by simple chords, distorted guitars, and shouted vocals. It felt urgent, teenage, and a little wild.

Garage rock was inspired by Rock & Roll, Blues, and the British Invasion, especially bands like The Kinks and The Rolling Stones.

It went on to influence Punk, Psychedelic Rock, Indie Rock, and even Grunge. It’s the beating heart of DIY rock energy.

7 Essential Garage Rock Songs

The Kingsmen – Louie Louie – 118 BPM - (released: April 1963)

The Sonics – Strychnine – 142 BPM - (released: November 1965)

The Standells – Dirty Water – 137 BPM - (released: May 1966)

The Seeds – Pushin’ Too Hard – 152 BPM - (released: November 1966)

The Remains – Don’t Look Back – 150 BPM - (released: August 1966)

13th Floor Elevators – You’re Gonna Miss Me – 154 BPM - (released: January 1966)

The Music Machine – Talk Talk – 140 BPM - (released: November 1966)

Some extra tasty Garage Rock tracks:

The Stooges – I Wanna Be Your Dog – ~104 BPM - (released: August 1969)

The Stooges – Search and Destroy – ~155 BPM - (released: September 1973)

MC5 – Kick Out the Jams – ~160 BPM - (released: February 1969)

The Hives – Hate to Say I Told You So – ~145 BPM - (released: 2000)

The White Stripes – Seven Nation Army – ~124 BPM - (released: March 2003)

The Kinks – You Really Got Me – ~128 BPM - (released: August 1964)

The Sonics – Psycho – ~140 BPM - (released: 1965)

The Seeds – Pushin’ Too Hard – ~152 BPM - (released: November 1966)

The Vines – Get Free – ~110 BPM - (released: 2002)

The Troggs – Wild Thing – ~140 BPM - (released: March 1966)

The Remains – Don’t Look Back – ~150 BPM - (released: August 1966)

The Electric Prunes – I Had Too Much to Dream (Last Night) – ~130 BPM - (released: May 1966)

The Modern Lovers – Roadrunner – ~138 BPM - (released: 1976)

The Hives – Tick Tick Boom – ~120 BPM - (released: 2007)

Black Lips – Bad Kids – ~128 BPM - (released: 2003)

Glam Rock

✨🎤👠

Global average: 130 BPM

BPM Range: 110 BPM-150 BPM

Glam Rock burst onto the scene in the early 1970s, mostly in the UK. It was loud, theatrical, and dripping with glitter. Think big hair, platform boots, and face paint.

The term “glam” comes from “glamour,” and that’s exactly what defined the genre—visually and sonically. It was flamboyant, playful, and often cheeky.

Musically, glam rock fused Rock & Roll, Hard Rock, and Pop, with heavy riffs, stomping beats, and catchy choruses. It made stadiums shake and teenagers swoon.

Artists pushed gender norms and embraced characters on stage. It wasn’t just music. It was a show.

Glam Rock inspired later styles like Punk, New Wave, and even Hair Metal. It left a glittery mark on pop culture forever.

7 Essential Glam Rock Songs

T. Rex – Get It On – 132 BPM - (released: July 1971)

David Bowie – Ziggy Stardust – 123 BPM - (released: June 1972)

Sweet – Ballroom Blitz – 132 BPM - (released: September 1973)

Gary Glitter – Rock and Roll Part 2 – 122 BPM - (released: June 1972)

Roxy Music – Virginia Plain – 140 BPM - (released: August 1972)

Slade – Cum On Feel the Noize – 140 BPM - (released: February 1973)

New York Dolls – Personality Crisis – 138 BPM - (released: July 1973)

Hair Metal

🤘

Global average: 125 BPM

BPM Range: 100 BPM-150 BPM

Hair metal (also called glam metal by some people or pop metal) rose to dominance in the 1980s, especially in Los Angeles. It merged Hard Rock/Metal with Pop hooks, flashy image, and stadium-ready choruses.

The “hair” in hair-metal refers to big hairstyles, glam fashion, and theatrical stage presence. It features distorted guitars, high vocals, power chords, and catchy choruses. It influenced later genres like hair band revival, sleaze rock, and some pop-punk crossovers.

7 Essential Hair Metal Songs

Def Leppard – Pour Some Sugar on Me – 130 BPM - (released: July 1987)

Mötley Crüe – Kickstart My Heart – 170 BPM - (released: May 1989)

Poison – Talk Dirty to Me – 125 BPM - (released: July 1986)

Bon Jovi – Livin’ on a Prayer – 123 BPM - (released: October 1986)

Ratt – Round and Round – 105 BPM - (released: May 1984)

Quiet Riot – Cum On Feel the Noize – 132 BPM - (released: August 1983)

W.A.S.P. – I Wanna Be Somebody – 138 BPM - (released: August 1984)

Power Pop

⚡🎸💥

Global average: 140 BPM

BPM Range: 120 BPM-160 BPM

Power-pop kicked off in the early 1970s, with roots in the UK and US. It combined the energy of Rock & Roll with the catchy charm of Pop.

The term was first used by Pete Townshend of The Who. He described their early music as “power pop”—loud, melodic, and punchy. That name stuck!

Power pop is known for big guitar riffs, bright vocal harmonies, and upbeat rhythms. It sounds like summer, teenage dreams, and long drives with the windows down.

It draws influence from British Invasion bands like The Beatles and The Kinks, but adds more muscle. Bands in the ‘70s and ‘80s gave it bite, while later acts made it sparkle.

It influenced Punk, New Wave, and even Indie Rock. Think singable, feel-good rock music that never goes out of style.

7 Essential Power Pop Songs

Big Star – September Gurls – 139 BPM - (released: February 1974)

Cheap Trick – Surrender – 142 BPM - (released: June 1978)

The Knack – My Sharona – 145 BPM - (released: June 1979)

Fountains of Wayne – Stacy’s Mom – 154 BPM - (released: May 2003)

The Raspberries – Go All the Way – 135 BPM - (released: July 1972)

Matthew Sweet – Girlfriend – 138 BPM - (released: October 1991)

The Records – Starry Eyes – 140 BPM - (released: October 1978)

Punk

⚡

Global average: 145 BPM

BPM Range: 120 BPM-200 BPM

Punk kicked down the doors in the mid-1970s, fueled by anger, energy, and a strong DIY spirit. It started in cities like New York, London, and Los Angeles.

The word “punk” was slang for troublemaker or rebel. The genre lived up to that name—with short, fast, and loud songs that often screamed against the system.

Musically, Punk is all about simplicity: 3 chords, fast tempos, and raw, shouted vocals. Lyrics focus on rebellion, boredom, politics, and identity.

It was inspired by Garage Rock, protopunk, and early Rock & Roll. But it stripped everything down to its bare essentials—fast and furious.

Punk influenced Hardcore Rap, Grunge, Post-punk, Pop‑Punk, and even some Electronic subgenres. It's still one of the most rebellious and influential styles out there.

7 Essential Punk Songs

The Ramones – Blitzkrieg Bop – 176 BPM - (released: February 1976)

The Sex Pistols – Anarchy in the U.K. – 132 BPM - (released: November 1976)

The Clash – White Riot – 162 BPM - (released: March 1977)

Dead Kennedys – Holiday in Cambodia – 140 BPM - (released: May 1980)

Buzzcocks – Ever Fallen in Love – 156 BPM - (released: September 1978)

Black Flag – Nervous Breakdown – 180 BPM - (released: January 1979)

Bad Brains – Banned in D.C. – 188 BPM - (released: June 1982)

Hard Rock

🎸🔥💥

Global average: 115 BPM

BPM Range: 90 BPM-150 BPM

Hard Rock made its mark in the late 1960s and exploded through the 1970s and 1980s. It was born from louder amps, wilder shows, and a craving for more power.

The term refers to heavier, grittier rock—louder than Rock & Roll, but not quite Metal. It hits hard with distorted guitar riffs, big drums, soaring vocals, and high energy.

Early hard rock came from the bluesy crunch of bands like Cream and The Who. But groups like Led Zeppelin and Deep Purple made it thunder.

Hard Rock draws from Blues, Psychedelic Rock, and Garage Rock. It paved the way for Metal, Grunge, Hair Metal, and even Punk in some forms.

If rock is a fire, hard rock throws gasoline on it.

7 Essential Hard Rock Songs

Led Zeppelin – Whole Lotta Love – 90 BPM - (released: October 1969)

Deep Purple – Smoke on the Water – 114 BPM - (released: May 1973)

AC/DC – Back in Black – 94 BPM - (released: July 1980)

Guns N’ Roses – Welcome to the Jungle – 125 BPM - (released: September 1987)

Aerosmith – Sweet Emotion – 100 BPM - (released: May 1975)

Van Halen – Runnin’ with the Devil – 144 BPM - (released: February 1978)

Thin Lizzy – Jailbreak – 132 BPM - (released: March 1976)

Post-punk

🖤🎸🌫️

Global average: 120 BPM

BPM Range: 100 BPM-140 BPM

Post Punk emerged in the late 1970s, right after the raw explosion of Punk. But instead of more noise and speed, it leaned into mood, experimentation, and style.

The name literally means “after punk.” Artists still kept the edge and attitude of Punk, but they brought in darker tones, more complex rhythms, and artsy vibes.

You’ll hear angular guitars, moody basslines, mechanical drums, and often deep or monotone vocals. It’s edgy but introspective, gritty but stylish.

Post Punk was influenced by Punk, Krautrock, Dub, and even FUNK. It gave rise to genres like Goth Rock, New Wave, Industrial Rock, and parts of Indie Rock.

It’s the sound of alienation turned into art. Cool, stark, and timeless.

7 Essential Post-punk Songs

Joy Division – Transmission – 142 BPM - (released: October 1979)

Talking Heads – Psycho Killer – 119 BPM - (released: December 1977)

Siouxsie and the Banshees – Spellbound – 125 BPM - (released: May 1981)

Public Image Ltd. – Public Image – 120 BPM - (released: October 1978)

The Cure – A Forest – 116 BPM - (released: April 1980)

Gang of Four – Damaged Goods – 134 BPM - (released: October 1978)

Wire – I Am the Fly – 129 BPM - (released: February 1978)

Goth Rock

Goth Rock started in the UK in the late ’70s. It’s moody, dramatic, and full of style. Think deep vocals, echoing guitars, and dark vibes. It mixes Post-punk with Glam Rock, Punk, and even a touch of New Wave. Bands like Bauhaus and The Cure made it cool. It’s perfect for dancing slowly in black.

BPM usually ranges from 100 BPM to 130 BPM.

Global average: 129 BPM

Goth Rock started in the UK in the late ’70s. It’s moody, dramatic, and full of style. Think deep vocals, echoing guitars, and dark vibes.

It mixes Post-punk with Glam Rock, Punk, and even a touch of New Wave. Bands like Bauhaus and The Cure made it cool.

It’s perfect for dancing slowly in black. BPM usually ranges from 100 BPM to 130 BPM.

Bauhaus – Bela Lugosi’s Dead – 150 BPM - Released: August 1979

The Cure - A Forest - 163 BPM - Released: 1994

Joy Division – Atmosphere – 120 BPM - March 1980

Sisters of Mercy – Flood II – 117 BPM - Released: 1987

Lesbian Bed Death – Vampires – 116 BPM - Released: 2006

Vision Video – End of Days – 126 BPM - Released: 2021

Grunge

Global average: 105 BPM

Grunge rose from rainy Seattle in the late ’80s. It’s loud, gritty, and full of angst. Think heavy guitars and soft-loud-soft dynamics. It mixes Punk, Metal, and Indie.

Lyrics are raw and honest. Nirvana and Pearl Jam made it huge in the ’90s. It’s messy in all the right ways.

BPM ranges from 90 BPM to 130 BPM, sometimes slower, sometimes not.

Nirvana – Smells Like Teen Spirit – 117 BPM – Released: 1991

Pearl Jam – Alive – 108 BPM – Released: 1991

Soundgarden – Black Hole Sun – 104 BPM – Released: 1994

Alice in Chains – Man in the Box – 104 BPM – Released: 1990

Stone Temple Pilots – Plush – 76 BPM – Released: 1992

New Wave

Global average: 113 BPM

New Wave hit the scene in the late ’70s and owned the ’80s. It’s bright, bouncy, and full of synths. It kept Punk's energy but made it pop-friendly. Guitars meet keyboards. Weird becomes wonderful. It pulls from Disco, punk, and Rock. Bands like Duran Duran and Blondie made it shine.

It’s perfect for dancing with big hair.

BPM usually runs between 110 BPM and 150 BPM.

Duran Duran – Hungry Like the Wolf – 127 BPM – Released: 1982

Blondie - Hear of Glass - 115 BPM - Released: 1978

Talking Heads – Once in a Lifetime – 104 BPM – Released: 1980

The Cure – Just Like Heaven – 150 BPM – Released: 1987

Depeche Mode – Just Can't Get Enough – 128 BPM – Released: 1981

A Flock of Seagulls – I Ran (So Far Away) – 145 BPM – Released: 1982

Progressive Rock

🧠🎹🚀

Global average: 120 BPM

BPM Range: 100 BPM-140 BPM

Progressive Rock, or prog rock, took off in the late 1960s and flourished through the 1970s in the UK and US. It was rock music’s answer to symphonies—ambitious, complex, and mind-expanding.

The word “progressive” reflected the genre’s goal: push rock forward by blending it with classical, jazz, and experimental music. Think long songs, wild time signatures, concept albums, and virtuoso solos.

Prog rockers often used synths, Mellotrons (an electro-mechanical musical instrument), flutes, and all sorts of orchestral touches. Lyrics explored science fiction, mythology, and philosophy.

It evolved from Psychedelic Rock, Hard Rock, and art rock, and paved the way for Math Rock, post rock, and parts of modern Metal.

It’s rock for deep thinkers—ambitious, theatrical, and just a little bit nerdy (in the best way).

7 Essential Progressive Rock Songs

Yes – Roundabout – 134 BPM - (released: January 1972)

Pink Floyd – Time – 116 BPM - (released: March 1973)

Genesis – Firth of Fifth – 115 BPM - (released: October 1973)

King Crimson – 21st Century Schizoid Man – 120 BPM - (released: October 1969)

Emerson, Lake & Palmer – Tarkus – 118 BPM - (released: June 1971)

Jethro Tull – Aqualung – 112 BPM - (released: March 1971)

Rush – Tom Sawyer – 124 BPM - (released: February 1981)

Metal

⚔️🔥🎸

Global average: 187 BPM

BPM Range: 140 BPM-220 BPM

Metal exploded onto the scene in the late 1960s and really took over the world in the 1980s. It started in the UK with bands that cranked up volume, distortion, and intensity.

The word “metal” reflects the heaviness and power of the music. It’s loud, fast, aggressive, and sometimes beautifully epic.

Expect crunchy guitars, double bass drums, screaming solos, and vocals that range from melodic to growling. Themes often explore power, rebellion, fantasy, or darker emotions.

It grew from Hard Rock, Psychedelic Rock, and Blues. Early innovators like Black Sabbath and Deep Purple paved the way.

Metal later branched into countless subgenres—thrash, death metal, doom metal, and more. It’s one of the most passionate and dedicated music communities around.

7 Essential Metal Songs

Black Sabbath – Paranoid – 164 BPM - (released: September 1970)

Metallica – Master of Puppets – 220 BPM - (released: March 1986)

Iron Maiden – The Trooper – 160 BPM - (released: June 1983)

Judas Priest – Painkiller – 190 BPM - (released: September 1990)

Slayer – Raining Blood – 220 BPM - (released: October 1986)

Megadeth – Symphony of Destruction – 136 BPM - (released: July 1992)

Pantera – Walk – 190 BPM - (released: May 1993)

Heavy Metal

🤘🔥🎸

Global average: 130 BPM

BPM Range: 100 BPM-200 BPM (often 120 BPM-160 BPM in many tracks)

Heavy Metal emerged in the late 1960s / early 1970s, mostly in the UK and U.S., evolving from blues rock, Hard Rock, and Psychedelic Rock/Acid Rock.

The name “metal” evokes weight, impact, and intensity. It’s known for distorted guitars, powerful riffs, aggressive vocals, strong drumming, and often darker themes.

It draws from blues rock, acid rock, hard rock. It spawned subgenres like thrash, death, black metal, groove metal, etc.

Some metal tracks push tempo very high; others dwell in more mid pace for heavy groove.

7 Representative Heavy Metal Songs

Queen – Don’t Stop Me Now – 156 BPM - (released: January 1979)

Metallica – Master of Puppets – ~212 BPM - (released: March 1986)

Black Sabbath – Paranoid – 168 BPM - (released: September 1970)

Iron Maiden – The Trooper – ~160 BPM - (released: 1983)

Judas Priest – Painkiller – ~200 BPM - (released: 1990)

Slayer – Raining Blood – ~220 BPM - (released: 1986)

Deep Purple – Highway Star – ~145 BPM - (released: 1972)

Industrial Rock

🛠️🔊🕶️

Global average: 154 BPM

BPM Range: 120 BPM-180 BPM

Industrial rockburst into the scene in the late 1970s and gained traction in the 1980s and 1990s, especially in the U.S. and parts of Europe. It’s gritty, mechanical, and full of attitude.

The term comes from “industrial music”, a genre that used machine noises, distorted samples, and harsh electronics. Industrial rock adds that to a backbone of Rock and Punk.

It’s known for its dark soundscapes, aggressive beats, looped synths, and crunchy guitars. Vocals can be whispered, screamed, or processed into robotic tones.

Industrial rockgrew from industrial , Punk, Metal, and Electronic. Bands like Throbbing Gristle laid the foundation, but Nine Inch Nails made it famous.

It later inspired genres like industrial-metal , electro-industrial , and parts of modern Goth Rock and EBM (electronic body music). It’s raw, rebellious, and built like a machine.

7 Essential Industrial Rock Songs

Nine Inch Nails – Closer – 100 BPM - (released: May 1994)

Ministry – Stigmata – 150 BPM - (released: April 1988)

KMFDM – Juke Joint Jezebel – 135 BPM - (released: October 1995)

Marilyn Manson – The Beautiful People – 138 BPM - (released: September 1996)

Rammstein – Du Hast – 124 BPM - (released: July 1997)

Stabbing Westward – Save Yourself – 132 BPM - (released: February 1998)

Filter – Hey Man, Nice Shot – 136 BPM - (released: July 1995)

Math Rock

Global average: 130 BPM

BPM Range: 100 BPM-160 BPM

Math‑Rock came about in the late 1980s to early 1990s, mostly in the U.S. and Japan.

It’s known for odd time signatures, complex rhythms, intricate guitar work, and precise playing.

It draws from Progressive Rock, post rock, Jazz, and experimental-rock .

It influenced post rock in return, experimental Indie, and many modern progressive and technical bands.

7 Essential Math‑Rock Songs

Battles – Atlas – 135 BPM - (released: February 2007)

Don Caballero – Fire Back About Your New Baby’s Sex – ~128 BPM - (released: 1997)

Hella – Biblical Violence – ~140 BPM - (released: 2009)

Tera Melos – Classical – ~150 BPM - (released: 2010)

Toe – Goodbye – ~120 BPM - (released: 2008)

American Football – Never Meant – ~95 BPM - (released: 1999)

Rodan – To Anaconda Piss – ~160 BPM - (released: 1994)

Some extra tasty Math Rock tracks:

Battles – Atlas – 135 BPM - (released: February 2007)

Don Caballero – Fire Back About Your New Baby’s Sex – ~128 BPM - (released: 1997)

Hella – Hold Your Horse Is – ~140 BPM - (released: 2002)

Tera Melos – Classical – ~150 BPM - (released: 2010)

Toe – Goodbye – ~120 BPM - (released: 2008)

American Football – Never Meant – ~95 BPM - (released: 1999)

Rodan – To Anaconda Piss – ~160 BPM - (released: 1994)

TTNG (This Town Needs Guns) – Elephant – ~138 BPM - (released: 2008)

Minus the Bear – Pachuca Sunrise – ~130 BPM - (released: 2005)

Maps & Atlases – Tree, Swallows, Houses – ~132 BPM - (released: 2006)

Giraffes? Giraffes! – More Skin with Milk‑Mouth – ~125 BPM - (released: 2007)

Piglet – Lava Land – ~145 BPM - (released: 2005)

The Fall of Troy – F.C.P.R.E.M.I.X. – ~155 BPM - (released: 2005)

Foals – Mathletics – ~160 BPM - (released: 2008)

Covet – Shibuya – ~140 BPM - (released: 2019)

Alternative Rock

🎸🌌🎧

Global average: 120 BPM

BPM Range: 90 BPM-150 BPM

Alternative Rock rose in the 1980s and 1990s, as a counter to commercial rock. It values emotion, experimentation, and nonconformity.

The name “alternative” hints at its goal: alternate paths, sounds, and expression.

It draws from Punk, Post-punk, Indie, Grunge, Folk, and even Electronic. It influences modern Indie, Emo, and many subgenres of rock.

7 Representative Alternative Rock Songs

Radiohead – Creep – 92 BPM - (released: September 1992)

Nirvana – Smells Like Teen Spirit – 117 BPM - (released: September 1991)

R.E.M. – Losing My Religion – 125 BPM - (released: February 1991)

Radiohead – Karma Police – 75 BPM - (released: August 1997)

The Smashing Pumpkins – 1979 – 160 BPM - (released: September 1996)

Pearl Jam – Alive – 120 BPM - (released: July 1991)

Foo Fighters – Everlong – 158 BPM - (released: August 1997)

Some extra awesome Alternative Rock tracks:

Radiohead – Creep – 92 BPM - (released: September 1992)

Nirvana – Smells Like Teen Spirit – 117 BPM - (released: September 1991)

R.E.M. – Losing My Religion – 125 BPM - (released: February 1991)

The Smashing Pumpkins – 1979 – 160 BPM - (released: September 1996)

Pearl Jam – Alive – 120 BPM - (released: July 1991)

Foo Fighters – Everlong – 158 BPM - (released: August 1997)

The Killers – Mr. Brightside – 148 BPM - (released: September 2003)

Beck – Loser – 117 BPM - (released: May 1994)

Oasis – Wonderwall – 87 BPM - (released: October 1995)

Blur – Song 2 – 130 BPM - (released: April 1997)

Foo Fighters – The Pretender – 172 BPM - (released: August 2007)

Arctic Monkeys – Do I Wanna Know? – 85 BPM - (released: June 2013)

Radiohead – Karma Police – 75 BPM - (released: August 1997)

Red Hot Chili Peppers – Californication – 96 BPM - (released: June 1999)

Muse – Starlight – 103 BPM - (released: August 2006)

Indie Rock

🎸🌿🎧

Global average: 110 BPM

BPM Range: 90 BPM-140 BPM

Indie-rock started to take shape in the 1980s and found massive popularity in the 1990s and 2000s. It first grew in the UK and US, fueled by bands that wanted to stay independent of major labels.

The term "indie" comes from “independent”, referring to small, often DIY record labels. But over time, it became more about the sound and attitude than the business model.

It’s known for its raw authenticity, catchy but unusual melodies, and sometimes quirky or heartfelt lyrics. It’s guitar-driven, but not afraid to get soft, strange, or experimental.

Indie-rock pulls inspiration from Punk, Post-punk, Garage Rock, and Alternative Rock. It often leans more emotional or introspective.

The genre has influenced and blended with many styles like Folk, Electronic, and Pop. Even major acts now borrow its vibe. It’s music for thinking, feeling, and dancing a little weird.

7 Essential Indie Rock Songs

Arctic Monkeys – Do I Wanna Know? – 85 BPM - (released: June 2013)

The Strokes – Last Nite – 104 BPM - (released: August 2001)

Pixies – Where Is My Mind? – 120 BPM - (released: March 1988)

Modest Mouse – Float On – 101 BPM - (released: February 2004)

The Shins – New Slang – 98 BPM - (released: September 2001)

Vampire Weekend – A-Punk – 175 BPM - (released: February 2008)

Franz Ferdinand – Take Me Out – 104 BPM - (released: January 2004)

Indie

Indie isn’t just a sound—it’s a vibe. It grew big in the ’80s and ’90s, often outside the major label world. It’s creative, cool, and often unexpected. The style can be mellow or upbeat, weird or sweet. It mixes Rock, Pop, Folk, and sometimes electronic. Think Arctic Monkeys or Phoebe Bridgers.

BPM runs from 70 to 140, depending on the mood.

Pop‑Punk

🎤🎸😎

Global average: 160 BPM

BPM Range: 140 BPM-180 BPM

Pop-punk lit up in the late 1990s and early 2000s, mainly in the US. It fused punk’s speed and energy with pop’s catchy hooks.

The name says it: pop + punk. You get power chords, punchy drums, but with melodies you’ll sing along to. Themes often talk about teen angst, relationships, and growing up.

It comes from Punk, Power Pop, and Alternative Rock. It influenced Emo, Pop‑Rock, and later Indie sounds.

If you like energetic, emotional, guitar-driven songs, pop-punk is your jam.

7 Essential Pop‑Punk Songs

blink-182 – All the Small Things – 148 BPM - (released: January 1999)

Green Day – Basket Case – 176 BPM - (released: February 1994)

Sum 41 – Fat Lip – 104 BPM - (released: July 2001)

Paramore – Misery Business – 173 BPM - (released: June 2007)

Good Charlotte – The Anthem – 182 BPM - (released: July 2002)

Fall Out Boy – Sugar, We’re Goin Down – 81 BPM - (released: April 2005)

All Time Low – Dear Maria, Count Me In – 171 BPM - (released: July 2008)

Folk

Global average: 98 BPM

Bob Dylan – Blowin' in the Wind – 86 BPM – Released: May 27, 1963

Simon & Garfunkel – The Sound of Silence – 108 BPM – Released: September 1965

Joan Baez – Diamonds and Rust – 95 BPM – Released: 1975

Nick Drake – Pink Moon – 120 BPM – Released: February 25, 1972

Joni Mitchell – Both Sides Now – 105 BPM – Released: March 1969

Country

🤠🎻🎤

Global average: 100 BPM

BPM Range: 80 BPM-130 BPM

Country traces its roots to the southern U.S. in the early 20th century. It blends Folk, Blues, and Spiritual Music.

It’s known for storytelling lyrics, acoustic instruments (guitar, banjo, fiddle), and heart-on-sleeve emotions. Many songs talk about life, love, hardship, and home.

It draws from Folk, Blues, and Gospel. Over time it spawned subgenres like alt‑country, bro-country, and Americana.

If you like music that feels honest, simple, and emotionally direct, country has you covered.

7 Essential Country Songs

Johnny Cash – Ring of Fire – 105 BPM - (released: October 1963)

Dolly Parton – Jolene – 110 BPM - (released: October 1973)

Garth Brooks – Friends in Low Places – 92 BPM - (released: April 1990)

Shania Twain – Man! I Feel Like a Woman! – 125 BPM - (released: August 1999)

Willie Nelson – On the Road Again – 105 BPM - (released: June 1980)

Patsy Cline – Crazy – 92 BPM - (released: October 1961)

Luke Bryan – Country Girl (Shake It for Me) – 106 BPM - (released: March 2011)

Country‑Rock

🤠🎸🌄

Global average: 120 BPM

BPM Range: 90 BPM-150 BPM

Country‑Rock developed in the late 1960s and early 1970s in the U.S. It merged the storytelling and twang of country with the instrumentation and energy of rock.

The name is literal: Country + Rock. It’s known for guitar solos, pedal steel, rock rhythms, narrative lyrics, and fusion appeal.

It draws from traditions in Country, Folk, Rock & Roll, Blues. It influenced Southern Rock, Americana, alt‑country, and roots rock.

7 Representative Country‑Rock Songs

Eagles – Take It Easy – 140 BPM - (released: May 1972)

The Byrds – Sweetheart of the Rodeo (album track) – ~110 BPM - (released: 1968)

Linda Ronstadt – You’re No Good – 104 BPM - (released: 1974)

The Band – The Weight – 90 BPM - (released: 1968)

Gram Parsons & The Flying Burrito Brothers – Wild Horses – 82 BPM - (released: 1969)

Creedence Clearwater Revival – Lookin’ Out My Back Door – 125 BPM - (released: 1970)

Neil Young – Heart of Gold – 110 BPM - (released: 1972)

Southern Rock

🎸🏁🌾

Global average: 113 BPM

BPM Range: 95 BPM-130 BPM

Southern rock came roaring out of the American South in the late 1960s and 1970s. It’s loud, proud, and drenched in Southern soul and swagger.

It blends gritty Blues, Country, and Rock & Roll, often with extended guitar solos and a rebel heart. Lyrics often mention small towns, freedom, whiskey, and Southern pride.

It’s a musical road trip, full of slide guitars, big choruses, and that classic “two guitars trading licks” sound. If rock had a barbecue 🍖🔥🥩🥓, this would be the soundtrack.

It influenced Country‑Rock, jam-band , and even modern alt-country . If you like your riffs fried and your vocals soulful—this one’s for you.

7 Essential Southern Rock Songs

Lynyrd Skynyrd – Sweet Home Alabama – 98 BPM - (released: June 1974)

The Allman Brothers Band – Ramblin’ Man – 126 BPM - (released: August 1973)

ZZ Top – La Grange – 108 BPM - (released: April 1973)

38 Special – Hold On Loosely – 120 BPM - (released: February 1981)

Molly Hatchet – Flirtin’ with Disaster – 132 BPM - (released: September 1979)

The Marshall Tucker Band – Can’t You See – 96 BPM - (released: August 1973)

Blackfoot – Train, Train – 120 BPM - (released: April 1979)

Christian Rock

✝️🎶🤘

Global average: 87 BPM

BPM Range: 70 BPM-115 BPM

Christian rock took shape in the 1970s as faith-driven musicians started blending rock music with Christian themes and messages. It became a major force by the 1990s and 2000s.

It takes the sound of Rock, Pop, and Alternative Rock but focuses on lyrics that inspire, uplift, and often worship. Think electric guitars with a spiritual vibe.

The term “Christian Rock” refers more to the message than the sound. You’ll find everything from soft ballads to full-on rock anthems.

It paved the way for crossover artists and faith-based music festivals. It also fed into contemporary-christian-music , worship , and even christian-metal .

7 Essential Christian Rock Songs

Switchfoot – Dare You to Move – 78 BPM - (released: February 2004)

Skillet – Monster – 106 BPM - (released: August 2009)

Newsboys – God's Not Dead – 90 BPM - (released: October 2011)

Casting Crowns – Lifesong – 84 BPM - (released: August 2005)

Third Day – Cry Out to Jesus – 70 BPM - (released: September 2005)

Thousand Foot Krutch – Be Somebody – 98 BPM - (released: March 2007)

Relient K – Be My Escape – 115 BPM - (released: March 2004)

Emo

😭🎸✍️

Global average: 140 BPM

BPM Range: 120 BPM-180 BPM

Emo (short for “emotional hardcore”) began in the mid-1980s Washington, D.C. scene. It emphasized introspective lyrics, raw vocals, and melodic intensity over sheer aggression.

The term comes from “emotional” punk/rock. It’s known for confessional lyrics, dynamic shifts, and expressive instrumentation.

It draws from Punk, Post-punk, hardcore .

It influenced Pop‑Punk, Screamo, post-hardcore , and many modern indie/alternative acts.

It’s music for when you feel deeply, want catharsis, or need a voice for your emotions.

15 Representative Emo Tracks

My Chemical Romance – Helena – 141 BPM - (released: May 2005)

Dashboard Confessional – Screaming Infidelities – 152 BPM - (released: June 2001)

Jimmy Eat World – The Middle – 162 BPM - (released: October 2001)

Fall Out Boy – Sugar, We’re Goin Down – 81 BPM - (released: April 2005)

Paramore – Misery Business – 173 BPM - (released: June 2007)

Taking Back Sunday – Cute Without the ‘E’ (Cut from the Team) – 172 BPM - (released: February 2002)

Brand New – The Quiet Things That No One Ever Knows – 160 BPM - (released: July 2003)

American Football – Never Meant – ~95 BPM - (released: 1999)

Sunny Day Real Estate – In Circles – 148 BPM - (released: 1994)

Hawthorne Heights – Ohio Is for Lovers – 142 BPM - (released: July 2004)

Paramore – Decode – 110 BPM - (released: October 2008)

Alkaline Trio – Radio – 154 BPM - (released: 2003)

Dashboard Confessional – Vindicated – 148 BPM - (released: July 2004)

Taking Back Sunday – MakeDamnSure – 198 BPM - (released: August 2006)

Sunny Day Real Estate – 48 – 150 BPM - (released: 1995)

Screamo

💥😱🎸

Global average: 160 BPM

BPM Range: 140 BPM-200 BPM

Screamo came out of the Emo and hardcore scenes in the early 1990s in California, especially San Diego. Its name fuses scream + emo—vocals often alternate between melodic singing and anguished screams.

It’s known for emotional intensity, dynamic shifts, dissonance, and cathartic outbursts.

It draws from Emo, post-hardcore , Punk, hardcore . It spawned styles like emoviolence, post-screamo, and influenced parts of modern alternative hardcore.

7 Representative Screamo Songs

Orchid – (Give Me) A War – ~175 BPM - (released: 1996)

Saetia – Venus and Apollo – ~160 BPM - (released: 1997)

City of Caterpillar – Love Means Never Having to Say You’re Sorry – ~150 BPM - (released: 2002)

La Dispute – King Park – ~155 BPM - (released: 2008)

Touché Amoré – Harbor – ~165 BPM - (released: 2011)

Pianos Become the Teeth – Hiding – ~160 BPM - (released: 2011)

Ampere – All Your Yesterdays – ~170 BPM - (released: 2002)

RnB

🎤🔥🎷

Global average: 95 BPM

BPM Range: 60 BPM-120 BPM

R&B, short for Rhythm and Blues, first appeared in the 1940s in African American communities in the United States. Originally, it was a mix of jazz, blues, and gospel influences, created for dancing and emotional storytelling.

The name “R&B” was coined by music journalist Jerry Wexler as a replacement for the term “race music.” Over time, the genre evolved, keeping its soulful roots but embracing modern production.

Classic R&B is known for smooth vocals, swinging rhythms, call-and-response patterns, and deeply emotional delivery. Instruments like saxophones and pianos were staples early on, later replaced or layered with drum machines and synths.

Modern R&B, especially from the '80s onward, blends elements of Pop, Hip-Hop, and FUNK. It has given rise to Neo‑Soul, contemporary-rnb , and influenced nearly every modern genre.

It’s the sound of love, heartbreak, groove, and silky-smooth vibes.

7 Essential R&B Songs

Marvin Gaye – Let’s Get It On – 83 BPM - (released: August 1973)

Ray Charles – What’d I Say – 89 BPM - (released: July 1959)

Aretha Franklin – I Never Loved a Man (The Way I Love You) – 72 BPM - (released: February 1967)

Alicia Keys – Fallin’ – 90 BPM - (released: April 2001)

D’Angelo – Brown Sugar – 93 BPM - (released: July 1995)

Mary J. Blige – Real Love – 100 BPM - (released: August 1992)

Usher – U Got It Bad – 72 BPM - (released: August 2001)

Motown

🎙️🎷🎸

Global average: 110 BPM

BPM Range: 90 BPM-130 BPM

Motown is named after Motown Records, founded in Detroit, Michigan in 1959 by Berry Gordy.

It became hugely popular in the 1960s as a gateway for black artists into mainstream America.

It’s known for polished production, catchy melodies, driving basslines, layered vocals, and danceable grooves.

It draws from Gospel, RnB, Soul, and Pop.

It influenced soul, FUNK, Disco, modern R&B, pop, and many artists across genres.

7 Essential Motown Songs

The Supremes – Baby Love – 108 BPM - (released: September 1964)

Marvin Gaye – What’s Going On – 108 BPM - (released: May 1971)

Stevie Wonder – Superstition – 100 BPM - (released: October 1972)

The Temptations – My Girl – 104 BPM - (released: December 1964)

Martha and the Vandellas – Dancing in the Street – 121 BPM - (released: June 1964)

Smokey Robinson & The Miracles – Cloud Nine – 124 BPM - (released: July 1968)

Jackson 5 – I Want You Back – 98 BPM - (released: October 1969)

Electronic

🎛️🌐🔊

Global average: 125 BPM

BPM Range: 90 BPM-150 BPM

Electronic is a broad genre that includes any music made primarily using electronic instruments, like synthesizers, drum machines, and computers. It exploded in popularity from the 1970s onward.

The term “electronic” goes way back, but the sound took off in clubs, warehouses, and bedrooms. Early pioneers like Kraftwerk paved the way for a whole digital revolution.

What makes it special? Huge variety! It can be atmospheric, hypnotic, aggressive, or dancey. It influenced almost every genre—from Pop to Hip-Hop to Indie Rock.

It helped birth genres like Techno, House, Dubstep, Electro‑pop, and more. If you’ve danced to a beat that came from a laptop, you’ve felt the power of Electronic.

7 Essential Electronic Songs

Daft Punk – Around the World – 122 BPM - (released: March 1997)

Kraftwerk – The Robots – 120 BPM - (released: May 1978)

The Chemical Brothers – Galvanize – 127 BPM - (released: January 2005)

Justice – D.A.N.C.E – 108 BPM - (released: April 2007)

Aphex Twin – Windowlicker – 143 BPM - (released: March 1999)

Moby – Porcelain – 95 BPM - (released: May 2000)

Deadmau5 – Strobe – 128 BPM - (released: September 2009)

House

🏠🪩🥁

Global average: 127 BPM

BPM Range: 118 BPM-135 BPM

House started in Chicago in the early 1980s, born in underground clubs where DJs mixed soul, disco, and electronic beats into hypnotic new grooves.

The name comes from The Warehouse, a legendary club where it all began. DJs like Frankie Knuckles laid the foundations.

House is known for its four-on-the-floor beat, repetitive basslines, and uplifting energy. It’s dance music made to keep bodies moving and spirits high.

It helped launch Techno, Trance, EDM, and shaped today’s club scenes worldwide. It’s pure rhythm, pulse, and freedom.

7 Essential House Songs

Frankie Knuckles – Your Love – 122 BPM - (released: 1987)

Marshall Jefferson – Move Your Body – 123 BPM - (released: July 1986)

Mr. Fingers – Can You Feel It – 120 BPM - (released: 1986)

Crystal Waters – Gypsy Woman (She’s Homeless) – 122 BPM - (released: April 1991)

Daft Punk – One More Time – 123 BPM - (released: November 2000)

Inner City – Good Life – 120 BPM - (released: October 1988)

Robin S. – Show Me Love – 124 BPM - (released: March 1993)

Drum and Bass

🥁⚡🚄

Global average: 170 BPM

BPM Range: 160 BPM-180 BPM

Drum and bass (often shortened to DnB) kicked off in the UK in the early 1990s. It grew out of jungle, rave, and Electronic music scenes.

It’s all about fast breakbeats, deep basslines, and high energy. Think rapid rhythms, layered percussion, and futuristic textures. It feels like a sonic rollercoaster.

The name says it all: it’s built on drums and bass. But the subgenres are endless—from liquid DnB to neurofunk to jump-up.

It inspired Dubstep, Trap, and left a lasting mark on Hip-Hop production. If you like speed, power, and bass that rattles your bones, DnB delivers.

7 Essential Drum n Bass Songs

Goldie – Inner City Life – 170 BPM - (released: November 1994)

LTJ Bukem – Horizons – 172 BPM - (released: April 1995)

Roni Size – Brown Paper Bag – 174 BPM - (released: May 1997)

Pendulum – Blood Sugar – 174 BPM - (released: December 2007)

Andy C – Heartbeat Loud (feat. Fiora) – 172 BPM - (released: October 2014)

High Contrast – If We Ever – 170 BPM - (released: March 2007)

Netsky – Come Alive – 172 BPM - (released: April 2012)

Dubstep

🔊🌀💣

Global average: 73 BPM / 140 BPM (depending on how it’s counted)
BPM Range: 70 BPM-75 BPM or 140 BPM-150 BPM

At its peak, dubstep dropped the bass so hard, the world felt it shake.

Dubstep emerged from South London in the early 2000s. It evolved from UK garage, 2-step, and Drum and Bass, but brought the bass to a whole new level.

The term comes from its dub influences—echo-heavy effects and a love for low-end. “Step” reflects the beat-driven, syncopated drum patterns it’s famous for.

The sound is heavy and cinematic. Expect wobble bass, drop moments, and half-time grooves that make your face scrunch up and your feet move.

It influenced everything from Trap to mainstream Pop and EDM. At its peak, dubstep dropped the bass so hard, the world felt it shake.

7 Essential Dubstep Songs

Skrillex – Scary Monsters and Nice Sprites – 140 BPM - (released: October 2010)

Benga & Coki – Night – 138 BPM - (released: March 2008)

Rusko – Woo Boost – 142 BPM - (released: February 2010)

Burial – Archangel – 138 BPM - (released: October 2007)

Flux Pavilion – Bass Cannon – 140 BPM - (released: March 2011)

Zomboy – Terror Squad – 140 BPM - (released: August 2013)

Excision – Get to the Point (ft. Liquid Stranger) – 70 BPM - (released: September 2012)

Techno

Global average: 140 BPM (120-160)

Derrick May – Strings of Life – 130 BPM - (released: 1987)

Jeff Mills – The Bells – 135 BPM - (released: 1997)

Carl Cox – I Want You (Forever) – 130 BPM - (released: 1991)

Charlotte de Witte – Selected – 132 BPM - (released: 2019)

Adam Beyer – Your Mind – 128 BPM - (released: 2018)

EDM

🎧💥🎛️

Global average: 128 BPM

BPM Range: 110 BPM-150 BPM

EDM (Electronic Dance Music) refers broadly to electronic music made for dancing, though it covers many substyles. It grew in the 1980s and 1990s, especially in Europe and the U.S.

It’s known for driving beats, big drops, and festival energy. Producers build tension, then release it with explosions of sound.

It draws from Disco, House, Techno, Synth‑pop, and more.
It has spawned and fused with genres like Dubstep, Trance, future bass, and more.

7 Essential EDM Songs

Swedish House Mafia – Don’t You Worry Child – 129 BPM - (released: September 2012)

Avicii – Levels – 126 BPM - (released: October 2011)

Calvin Harris – Summer – 128 BPM - (released: March 2014)

David Guetta & Sia – Titanium – 126 BPM - (released: November 2011)

Martin Garrix – Animals – 128 BPM - (released: June 2013)

Zedd – Clarity (ft. Foxes) – 128 BPM - (released: October 2012)

The Chainsmokers – Closer – 95 BPM - (released: August 2016)

Trance

Global average: 130 BPM (120-140)

Armin van Buuren – Shivers – 138 BPM - (released: August 8, 2005)

Ferry Corsten – Punk – 138 BPM - (released: February 4, 2002)

Gareth Emery – Concrete Angel – 138 BPM - (released: February 13, 2012)

Above & Beyond – Sun & Moon – 138 BPM - (released: March 21, 2011)

Paul van Dyk – For an Angel – 138 BPM - (released: 1994)

Industrial Techno

Industrial Techno is a subgenre of techno known for its heavy basslines, distorted sounds, and industrial influences. It typically features a tempo ranging from 130 to 150 BPM, creating a raw and intense atmosphere on the dance floor.

Global average: 154 BPM

Paula Temple – Gegen – 140 BPM - (released: 2019)

Perc – Look What Your Love Has Done To Me – 138 BPM - (released: 2017)

Ancient Methods – Knights & Bishops – 135 BPM - (released: 2013)

Phase Fatale – Binding by Oath – 130 BPM - (released: 2020)

Tommy Four Seven – Arms – 132 BPM - (released: 2011)

Trap

Global average: 140 BPM

T.I. – What You Know – 70 BPM - (released: 2006)

Waka Flocka Flame – Hard in Da Paint – 70 BPM - (released: 2010)

Future – Mask Off – 150 BPM - (released: 2017)

Migos – Bad and Boujee – 127 BPM - (released: 2016)

Travis Scott – Sicko Mode – 78 BPM - (released: 2018)

Eurodance

Global average: 131 BPM

2 Unlimited – No Limit – 140 BPM - (released: 1993)

La Bouche – Be My Lover – 134 BPM - (released: 1995)

Snap! – Rhythm Is a Dancer – 124 BPM - (released: 1992)

Corona – Rhythm of the Night – 128 BPM - (released: 1993)

Haddaway – What Is Love – 124 BPM - (released: 1993)

Rap

Global average: 100 BPM

Hardcore Rap

Global average: 135 BPM (100-170)

Minor Threat – Straight Edge – 160 BPM - (released: 1981)

Bad Brains – Pay to Cum – 180 BPM - (released: 1980)

Black Flag – Nervous Breakdown – 190 BPM - (released: 1979)

Gorilla Biscuits – Start Today – 180 BPM - (released: 1989)

Youth of Today – Break Down the Walls – 170 BPM - (released: 1986)

Hip-Hop

🎤🔥📀 Global average: 98 BPM

BPM Range: 80 BPM-115 BPM

Hip-Hop

Hip-Hop started in the Bronx, NYC, in the 1970s. It began as a cultural movement, including music, dance (breakdancing), graffiti, and fashion.

It took its sound from FUNK, Soul, and Disco, using breakbeats and turntable techniques. DJs laid the groundwork. Then MCs brought rhymes, rhythm, and fire.

The term “hip-hop” grew to describe both the music and the broader culture. It’s now one of the most influential genres on the planet.

From street corners to stadiums, hip-hop tells stories, moves crowds, and shifts culture.

7 Essential Hip-Hop Songs

The Sugarhill Gang – Rapper’s Delight – 112 BPM - (released: September 1979)

Grandmaster Flash & The Furious Five – The Message – 100 BPM - (released: July 1982)

Run-D.M.C. – It's Tricky – 108 BPM - (released: February 1987)

Public Enemy – Fight the Power – 109 BPM - (released: June 1989)

OutKast – Ms. Jackson – 96 BPM - (released: October 2000)

Kanye West – Stronger – 104 BPM - (released: July 2007)

Kendrick Lamar – Alright – 110 BPM - (released: March 2015)

Old School Rap

🎤🎧📼

Global average: 110 BPM

BPM Range: 100 BPM-120 BPM

Old School Rap grew in the late 1970s and early 1980s, especially in New York. It was party music on block parties, drums, breaks, and rhymes.

The name refers to rap’s early era when MCs and DJs were experimenting, battling, and laying down foundational flow. It’s simpler, raw, and focused on groove and performance.

It borrowed from Disco, FUNK, and Soul. Over time it gave way to more complex rap styles, but its spirit lived on in Hip-Hop and conscious-rap .

7 Essential Old School Rap Songs

Sugarhill Gang – Rapper’s Delight – 112 BPM - (released: September 1979)

Grandmaster Flash & The Furious Five – The Message – 100 BPM - (released: July 1982)

Kurtis Blow – The Breaks – 113 BPM - (released: June 1980)

Run-D.M.C. – It’s Like That – 105 BPM - (released: 1983)

LL Cool J – Rock the Bells – ~98 BPM - (released: 1985)

Eric B. & Rakim – Paid in Full – 91 BPM - (released: 1987)

The Sugarhill Gang – Funk You Up – 105 BPM - (released: December 1979)

East Coast Rap

🗽

Global average: 90 BPM

BPM Range: 85 BPM-95 BPM

East coast rap emerged from New York City in the late 1970s and defined hip-hop's early sound. It’s lyrical, gritty, and rooted in storytelling and flow.

This subgenre is all about clever wordplay, tough beats, and street-level realism. It's where hip-hop was born, with block parties, breakdancing, and early MC battles.

It was inspired by funk, soul, and Disco rhythms. Over time, it shaped modern Hip-Hop, Gangsta Rap, and conscious-rap .

If you love sharp rhymes and classic boom-bap beats, East Coast is essential.

7 Essential East Coast Rap Songs

Nas – N.Y. State of Mind – 94 BPM - (released: April 1994)

The Notorious B.I.G. – Juicy – 96 BPM - (released: August 1994)

Wu-Tang Clan – C.R.E.A.M. – 87 BPM - (released: January 1994)

Eric B. & Rakim – Paid in Full – 91 BPM - (released: July 1987)

Mobb Deep – Shook Ones Pt. II – 92 BPM - (released: February 1995)

Jay-Z – Dead Presidents II – 89 BPM - (released: February 1996)

A Tribe Called Quest – Electric Relaxation – 92 BPM - (released: February 1994)

West Coast Rap

🌴🚗🎶

Global average: 90 BPM

BPM Range: 85 BPM-95 BPM

West coast rap developed in Los Angeles and the Bay Area in the 1980s and 1990s. It brought a smoother, funkier sound to the hip-hop scene.

It draws heavily from FUNK (especially P-Funk) with laid-back beats and G-funk synths. But lyrically, it hits hard—dealing with life in the West’s urban streets.

The style is chill but confident. Think cruising with the top down and a heavy bassline thumping. It influenced global hip-hop and spawned icons.

7 Essential West Coast Rap Songs

Dr. Dre – Nuthin’ But a G Thang (feat. Snoop Dogg) – 94 BPM - (released: January 1993)

Tupac – California Love – 92 BPM - (released: December 1995)

Ice Cube – It Was a Good Day – 89 BPM - (released: February 1993)

N.W.A – Straight Outta Compton – 97 BPM - (released: July 1988)

Snoop Dogg – Gin and Juice – 95 BPM - (released: January 1994)

Warren G – Regulate (feat. Nate Dogg) – 94 BPM - (released: April 1994)

E-40 – Tell Me When to Go – 93 BPM - (released: February 2006)

Gangsta Rap

Global average: 95 BPM

N.W.A – Straight Outta Compton – 96 BPM – Released: 1988

Ice-T – Colors – 92 BPM – Released: 1988

Scarface – Mind Playing Tricks on Me – 90 BPM – Released: 1991

Geto Boys – Damn It Feels Good to Be a Gangsta – 89 BPM – Released: 1992

The Notorious B.I.G. – Gimme the Loot – 95 BPM – Released: 1994

Gospel

🎹🙏🕊️

Global average: 80 BPM

BPM Range: 60 BPM-110 BPM

Gospel originated in the late 19th/early 20th centuries, rooted in African American spirituals, hymns, and church worship. It truly gained broader visibility mid‑20th century.

It’s known for its emotional delivery, call-and-response vocals, and messages of faith, hope, and praise. Choirs, organs, and backing vocal harmonies are staples.

It draws from spirituals , Blues, church choir traditions. Later, gospel influenced Soul, gospel-pop , and even contemporary Christian music.

If you want music that moves your spirit and your soul, gospel delivers.

7 Essential Gospel Songs

Mahalia Jackson – How I Got Over – ~75 BPM - (released: 1951)

Aretha Franklin – Amazing Grace – ~69 BPM - (released: 1972)

Kirk Franklin – Love Theory – 120 BPM - (released: 2019)

Yolanda Adams – The Battle Is The Lord’s – ~70 BPM - (released: 1993)

Tasha Cobbs Leonard – Break Every Chain – 70 BPM - (released: 2012)

CeCe Winans – Believe For It – 74 BPM - (released: 2021)

Israel & New Breed – You Are Good – ~130 BPM - (released: 2001)

Soul

🎤🎺💖

Global average: 100 BPM

BPM Range: 60 BPM-130 BPM

Soul music developed in the 1950s and 1960s in the U.S., especially among African American communities, blending gospel, rhythm & blues, and jazz.

The word “soul” refers to the emotional depth and spiritual feeling in the music.

It’s known for emotive vocals, call-and-response, grooves, horns, and a deep connection to feeling.

It draws from Gospel, Blues, Jazz, RnB. It influenced FUNK, Disco, modern R&B, Neo‑Soul, and Pop crossover music.

7 Representative Soul Songs

Otis Redding – (Sittin’ On) The Dock of the Bay – ~104 BPM - (released: January 1968)

Aretha Franklin – Respect – ~114 BPM - (released: 1967)

Marvin Gaye – Let’s Get It On – ~82 BPM - (released: 1973)

Sam Cooke – A Change Is Gonna Come – ~75 BPM - (released: 1964)

Al Green – Let’s Stay Together – ~103 BPM - (released: 1971)

James Brown – It’s a Man’s Man’s Man’s World – ~72 BPM - (released: 1966)

Sam & Dave – Soul Man – ~112 BPM - (released: 1967)

Neo‑Soul

🎷🧡🌿

Global average: 90 BPM

BPM Range: 70 BPM-110 BPM

Neo‑Soul emerged in the late 1990s, mostly in the U.S., as a soul revival blending classic soul, Jazz, Hip-Hop, FUNK.

The name “neo” means “new soul”—renewed vitality breathed into classic styles.

It’s known for warm vocals, live instrumentation, groove, emotional lyricism, minimal digital polish.

It draws from 70s/60s Soul, Jazz, RnB, FUNK, and it influenced modern R&B, neo-jazz, alternative soul, and soulful pop hybrids.

7 Representative Neo‑Soul Songs

D’Angelo – Untitled (How Does It Feel) – 85 BPM - (released: May 2000)

Erykah Badu – On & On – 91 BPM - (released: July 1997)

Maxwell – Ascension (Don’t Ever Wonder) – 94 BPM - (released: 1996)

Jill Scott – Golden – 90 BPM - (released: June 2004)

Lauryn Hill – Ex-Factor – 70 BPM - (released: August 1998)

India.Arie – Video – 92 BPM - (released: July 2001)

Musiq Soulchild – Love – 88 BPM - (released: June 2000)

Doo-Wop

🎙️💈🎶

Global average: 92 BPM

BPM Range: 60 BPM-110 BPM

Doo-wop was born in African American communities in the 1940s and 1950s, mainly in cities like New York, Baltimore, and Philadelphia. It came straight from the street corners and high school halls.

The name comes from the nonsense syllables singers used in the background—like "shoo-bop" and "doo-wop". These vocal harmonies gave the genre its unique, dreamy feel.

It’s known for smooth, layered vocals, simple romantic lyrics, and minimal instrumentation—often just a guitar or piano. The lead voice would soar while the others set the mood.

Doo-wop drew heavily from Gospel, barbershop , and RnB. It paved the way for modern Soul, Motown, and even Pop music.

It was the sound of teenage love, leather jackets, and jukeboxes. Pure vocal magic.

7 Essential Doo-Wop Songs

The Penguins – Earth Angel – 76 BPM - (released: October 1954)

The Platters – Only You (And You Alone) – 83 BPM - (released: June 1955)

The Five Satins – In the Still of the Night – 78 BPM - (released: February 1956)

The Chords – Sh-Boom – 100 BPM - (released: June 1954)

Frankie Lymon & The Teenagers – Why Do Fools Fall in Love – 92 BPM - (released: January 1956)

The Del-Vikings – Come Go with Me – 108 BPM - (released: January 1957)

Dion & The Belmonts – A Teenager in Love – 105 BPM - (released: March 1959)

Reggae

What inspired Reggae and what has Reggae inspired?

Ska

Global average: 175 BPM

Desmond Dekker – Jamaican Ska – 130 BPM - (released: 1964)

The Specials – A Message to You Rudy – 150 BPM - (released: October 12, 1979)

The Skatalites – Guns of Navarone – 140 BPM - (released: 1965)

Toots and the Maytals – Monkey Man – 145 BPM - (released: 1969)

The Mighty Mighty Bosstones – The Impression That I Get – 160 BPM - (released: February 10, 1997)

Rock Steady

Global average: 75 BPM

BPM Range: 66 BPM-86 BPM

Rocksteady was born in Jamaica in the mid-1960s. It came after ska and paved the way for Reggae. It slowed the tempo down and turned up the soul.

It’s known for its cool basslines, sweet harmonies, and romantic or conscious lyrics. The rhythm is smoother, with a backbeat that makes you sway.

Rocksteady took inspiration from American RnB, Ska, and Doo-Wop. It didn’t last long—just a couple of years—but its influence is massive.

Without it, reggae wouldn’t exist. Bands like The Paragons and The Heptones made it shine.

If you love warm, laid-back grooves with rich vocal blends, this is your vibe.

🎵 7 Essential Rocksteady Songs

Alton Ellis – Rock Steady – 78 BPM - (released: August 1967)

The Paragons – The Tide Is High – 72 BPM - (released: 1967)

The Techniques – Queen Majesty – 76 BPM - (released: 1967)

Phyllis Dillon – Perfidia – 70 BPM - (released: 1967)

The Melodians – Swing and Dine – 68 BPM - (released: 1967)

The Heptones – Sea of Love – 74 BPM - (released: 1967)

Ken Boothe – Puppet on a String – 80 BPM - (released: 1968)

Reggae

Global average: 75 BPM

Reggae music, originating from Jamaica in the late 1960s, is characterized by its laid-back tempo, offbeat rhythms, and socially conscious lyrics. Tempos typically range from 70 to 90 BPM, creating a relaxed and groove-oriented feel .

Bob Marley & The Wailers – One Love / People Get Ready – 76 BPM - (released: 1977)

Jimmy Cliff – The Harder They Come – 98 BPM - (released: 1972)

Ini Kamoze – World-A-Reggae – 74 BPM - (released: 1992)

Sean Paul feat. Gwen Stefani & Shenseea – Light My Fire – 90 BPM - (released: 2022)

Reggae - one of the mythical song: Toots and the Maytals – Do the Reggay

Toots and the Maytals – Do the Reggay – 132 BPM - (released: 1968)

"Do the Reggay" is one of my favourite reggae songs. It was written by Toots Hibbert and performed by the Maytals. It’s super important in reggae history!

Why? Because it was the first popular song to use the word reggae. That one word helped shape an entire music style.

Back then in Jamaica, “reggay” was just a dance trend. A short-lived one. But this song changed that. It linked the word with the music—and it stuck.

Toots Hibbert even said in a BBC Radio 6 Music interview that he got the word from Jamaican slang. It meant someone a bit scruffy or unkempt. Funny, right?

So:

→ A random dance

→ A slang word for scruffiness

→ One legendary song

That’s how the word reggae was born. Music history in the making!

Dub

“Dub” means a second or alternate version of a song—usually with vocals removed and studio effects added to create a deep, spacey vibe.

Global average: 75 BPM

BPM Range: 60 BPM-90 BPM

Dub started in Jamaica in the late '60s. It grew out of Reggae but quickly took on a life of its own. It’s slow, spacious, and hypnotic.

Dub is famous for its deep basslines, echo effects, and stripped-down instrumental versions. Producers use the studio like an instrument.

It was pioneered by legends like King Tubby and Lee “Scratch” Perry. They turned reggae into a dreamy, immersive soundscape.

Dub inspired genres like Hip-Hop, Electronic, and even Punk. It’s perfect for chilling, thinking, or just feeling the rhythm in your bones.

🎵 7 Essential Dub Songs

King Tubby – King Tubby Meets Rockers Uptown – 72 BPM - (released: November 1976)

Lee “Scratch” Perry – Disco Devil – 78 BPM - (released: 1977)

Augustus Pablo – East of the River Nile – 74 BPM - (released: 1977)

Scientist – Your Teeth in My Neck – 76 BPM - (released: 1981)

Mad Professor – Fast Forward Into Dub – 80 BPM - (released: 1983)

Prince Jammy – One Armed Boxer – 70 BPM - (released: 1982)

The Upsetters – Blackboard Jungle Dub – 68 BPM - (released: 1973)

Producers use the studio like an instrument especially in dub

When we say "producers use the studio like an instrument"—especially in dub—we mean that instead of just recording music and mixing it, producers actively create new sounds and textures during the mixing process itself.

Here’s how they do it:

Echo, reverb, delay: They add spacey effects that stretch or bounce sounds in creative ways.
Dropouts: Instruments or vocals will suddenly vanish, then pop back in—on purpose, like musical punctuation.
EQ tweaks: They boost or cut frequencies to make certain parts feel huge (like the bass) or ghostly (like the snare). Live mixing: Producers like King Tubby literally "played" the mixing desk during performances, twisting knobs and pushing faders in real time.

So instead of just recording a band, dub producers remix and reshape the song's DNA, turning it into a whole new musical experience.

Where does the term "dub" come from?

The term “dub” originally comes from the word “double”—as in a dub plate or dub version, meaning a second version of a song.

In the late 1960s Jamaica, sound system engineers began creating instrumental "doubles" of reggae tracks. These versions removed the vocals, allowing DJs (toasters) to talk or chant over the beat during live performances.

Over time, these stripped-down versions became more experimental. Engineers like King Tubby and Lee “Scratch” Perry started adding echo, reverb, delay, and other effects. These remix-style tracks became known as "dub" versions.

So, in short:

“Dub” means a second or alternate version of a song—usually with vocals removed and studio effects added to create a deep, spacey vibe.

It’s not just a remix—it’s a reimagining.

Reggaeton

🌴🔊💃

Global average: 90 BPM

BPM Range: 80 BPM-110 BPM

Reggaeton originated in Puerto Rico in the 1990s, emerging from dancehall, Reggae, Latin rhythms, and Hip-Hop influences.

The name comes from reggae + ton (big), meaning a big reggae‑influenced sound.

It’s known for the dembow rhythm (steady kick + snare + syncopation), rap/sung vocals, and a danceable groove.

It influences modern Latin pop, trap Latino, and global crossover hits.

7 Representative Reggaeton Songs

Luis Fonsi & Daddy Yankee – Despacito – 89 BPM - (released: January 2017)

Daddy Yankee – Gasolina – ~130 BPM (up‑tempo variant) - (released: 2004)

J Balvin – Mi Gente – ~105 BPM - (released: June 2017)

Bad Bunny – Yo Perreo Sola – ~95 BPM - (released: 2020)

Nicky Jam – El Perdón – ~86 BPM - (released: 2015)

Ozuna – Taki Taki (ft. Selena Gomez, Cardi B, DJ Snake) – ~128 BPM - (released: 2018)

Karol G & Nicki Minaj – Tusa – ~93 BPM - (released: 2019)

Maluma – Felices los 4 – ~92 BPM - (released: 2017)

What's dembow rhythm?

The dembow rhythm is a distinctive Caribbean beat pattern that forms the backbone of reggaeton and many modern Latin urban genres.

It originated from a Jamaican dancehall track called “Dem Bow” by Shabba Ranks (1990), produced by Bobby “Digital” Dixon. That rhythm was so catchy and infectious that producers across Latin America—especially in Puerto Rico, Panama, and the Dominican Republic—adopted and reinvented it.

🥁 The Basic Pattern

In musical terms, dembow is a syncopated 4/4 rhythm, usually counted like:

Boom-ch-boom-chick

or written as:
Kick – Snare – Kick-Kick – Snare

If you tap it out, it feels like:
1 (kick) – & (snare) – 2 (kick) – & (kick) – 3 (snare) – then it loops.

It gives that irresistible bouncy, forward-driving feel that makes people move their hips almost automatically.

🎶 Where You Hear It

You’ll hear variations of the dembow rhythm in:

Reggaeton (Daddy Yankee, Bad Bunny, Karol G)

Dembow (a faster Dominican subgenre, e.g. El Alfa)

Dancehall and some Afrobeats tracks

🪘 Why It Works

The dembow rhythm mixes African polyrhythms, Caribbean syncopation, and electronic drum machine precision, creating a groove that’s simple but endlessly danceable. Producers tweak it—adding triplets, swung hi-hats, or offbeat claps—but that dembow pulse always stays at the heart.

Would you like me to show you how to play the dembow rhythm on a ukulele (with or without percussion accompaniment)?

Funk & Disco

FUNK

🕺🎶🔥

Global average: 108 BPM

BPM Range: 90 BPM-120 BPM

FUNK emerged in the mid-1960s in the U.S., mostly through artists like James Brown wanting more groove and rhythmic intensity.

It’s known for syncopated rhythms, tight basslines, choppy guitars, horn stabs, and raw soul.

It draws from soul, jazz, gospel, blues. It influenced disco, hip‑hop, modern R&B, and pop.

7 Essential Funk Songs

James Brown – Get Up (I Feel Like Being a) Sex Machine – 106 BPM - (released: July 1970)

Sly & The Family Stone – Thank You (Falettinme Be Mice Elf Agin) – 104 BPM - (released: December 1969)

Parliament – Give Up the Funk (Tear the Roof off the Sucker) – 106 BPM - (released: April 1976)

Rick James – Super Freak – 115 BPM - (released: July 1981)

The Meters – Cissy Strut – 96 BPM - (released: May 1969)

Prince – Kiss – 111 BPM - (released: February 1986)

Curtis Mayfield – Move On Up – 122 BPM - (released: May 1971)

Some extra tasty FUNK music:

James Brown – Sex Machine – ~110 BPM - (released: October 1970)

Parliament – Flash Light – ~110 BPM - (released: March 1977)

Funkadelic – One Nation Under a Groove – ~104 BPM - (released: May 1978)

Sly & The Family Stone – Thank You (Falettinme Be Mice Elf Agin) – ~104 BPM - (released: December 1969)

Ohio Players – Fire – ~105 BPM - (released: February 1974)

Kool & The Gang – Jungle Boogie – ~104 BPM - (released: November 1973)

Kool & The Gang – Hollywood Swinging – ~108 BPM - (released: April 1974)

Curtis Mayfield – Move On Up – ~122 BPM - (released: May 1971)

The Commodores – Brick House – ~149 BPM - (released: 1977)

Rick James – Super Freak – ~115 BPM - (released: July 1981)

Earth, Wind & Fire – Shining Star – ~106 BPM - (released: December 1975)

Chaka Khan – Ain’t Nobody – ~100 BPM - (released: 1983)

James Brown – Cold Sweat – ~110 BPM - (released: February 1967)

Parliament – Tear the Roof Off (Give Up the Funk) – ~109 BPM - (released: July 1975)

Zapp – More Bounce to the Ounce – ~98 BPM - (released: 1980)

Disco

💃✨🎧

Global average: 120 BPM

BPM Range: 110 BPM-135 BPM

Disco rose from 1970s U.S. urban nightlife—clubs, dance floors, discotheques. It was inclusive, glamorous, and built for dancing.

The name comes from “discothèque” (French for disc library). It’s known for its four-on-the-floor beat, lush strings, syncopated bass, and upbeat energy.

It’s built from Soul, FUNK, and orchestral-pop . Its influence gave birth to House, Dance‑Pop, and modern EDM.

If you want to feel good, move, and embrace the night, disco’s the soundtrack.

7 Essential Disco Songs

Bee Gees – Stayin’ Alive – 103 BPM - (released: December 1977)

Donna Summer – I Feel Love – 128 BPM - (released: July 1977)

Chic – Le Freak – 119 BPM - (released: December 1978)

Gloria Gaynor – I Will Survive – 117 BPM - (released: October 1978)

Kool & The Gang – Celebration – 123 BPM - (released: December 1980)

Earth, Wind & Fire – September – 126 BPM - (released: November 1978)

Donna Summer – Last Dance – 132 BPM - (released: June 1978)

Pop

🎶💖✨

Global average: 100 BPM

BPM Range: 90 BPM-130 BPM

Pop music got its name from “popular music,” and that’s exactly what it aims to be—accessible, catchy, and easy to enjoy. It began taking shape in the 1950s, but really exploded in the 1980s with artists like Michael Jackson and Madonna.

It’s known for memorable hooks, sing-along choruses, and a focus on melody. The structure is simple—verse, chorus, bridge—but the production is often polished and high-tech.

Pop pulls elements from Rock & Roll, Disco, Electronic, FUNK, and even Hip-Hop. It constantly evolves with trends, borrowing sounds from everywhere.

From synth-heavy ’80s anthems to TikTok-ready beats today, Pop adapts fast. It’s the soundtrack of dance floors, car rides, heartbreaks, and joy.

No genre reaches more people. That’s the power of pop.

7 Essential Pop Songs

Luis Fonsi – Despacito (ft. Daddy Yankee) – 89 BPM - (released: January 2017)

Michael Jackson – Billie Jean – 117 BPM - (released: January 1983)

Madonna – Like a Prayer – 111 BPM - (released: March 1989)

Britney Spears – Toxic – 143 BPM - (released: January 2004)

Katy Perry – Teenage Dream – 120 BPM - (released: July 2010)

Taylor Swift – Shake It Off – 160 BPM - (released: August 2014)

Dua Lipa – Don’t Start Now – 124 BPM - (released: October 2019)

Synth‑pop

🎹✨🎤

Global average: 115 BPM

BPM Range: 90 BPM-140 BPM

Synth‑pop rose in the late 1970s and hit its peak in the 1980s, especially in the UK and Japan. It puts synthesizers and drum machines front and center, turning electronic sounds into pop hooks.

The name speaks for itself: synthesizer pop. It’s known for catchy melodies, bright textures, and danceable rhythms. It draws influence from new wave, electronic, disco, and art rock.

Over time, synth-pop influenced Electro‑pop, Modern Pop, retro revival, and even indie electronic acts. It showed how electronics could carry emotional pop.

7 Representative Synth‑pop Songs

Depeche Mode – Enjoy the Silence – 113 BPM - (released: February 1990)

Pet Shop Boys – West End Girls – 113 BPM - (released: October 1985)

A‑ha – Take On Me – 169 BPM - (released: October 1984)

Eurythmics – Sweet Dreams (Are Made of This) – 125 BPM - (released: January 1983)

Pet Shop Boys – It’s a Sin – 128 BPM - (released: September 1987)

New Order – Blue Monday – 130 BPM - (released: March 1983)

Erasure – A Little Respect – 127 BPM - (released: May 1988)

Pop‑Rock

🎸🎤✨

Global average: 120 BPM

BPM Range: 100 BPM-140 BPM

Pop‑Rock fuses catchy pop melody with rock instrumentation and energy. It became prominent in the 1960s onward, as rock bands tried to reach wider audiences.

The name signals “pop sensibility + rock drive.” It’s known for hooks, guitars, drums, and a balance between radio and edge.

It draws from rock & roll, pop, beat music, and over time fed into alternative rock, indie pop‑rock, and modern mainstream rock.

7 Representative Pop‑Rock Songs

U2 – With or Without You – 110 BPM - (released: March 1987)

Maroon 5 – This Love – 95 BPM - (released: June 2002)

Coldplay – Viva La Vida – 138 BPM - (released: May 2008)

Foo Fighters – Best of You – 130 BPM - (released: April 2005)

The Killers – Mr. Brightside – 148 BPM - (released: September 2003)

The Beatles – Hey Jude – 74 BPM (half‑time feel) - (released: August 1968)

Queen – Don’t Stop Me Now – 156 BPM - (released: January 1979)

Electro‑pop

🎹🔊🎤

Global average: 115 BPM

BPM Range: 100 BPM-140 BPM

Electro‑pop fuses pop songwriting with electronic production—synthesizers, drum machines, and slick textures. It became prominent in the 1980s in the UK and U.S.

The “electro” part highlights the use of electronics; “pop” keeps it catchy and melodic.

It draws from Pop, Electronic, New Wave. In turn, it influenced modern Pop, EDM, Synthwave, and Indie electronic.

It’s melodic, shiny, digital—but still designed for the ear and the heart.

15 Representative Electro‑pop Tracks

Depeche Mode – Enjoy the Silence – 113 BPM - (released: February 1990)

Pet Shop Boys – West End Girls – 113 BPM - (released: October 1985)

New Order – Blue Monday – 130 BPM - (released: March 1983)

CHVRCHES – The Mother We Share – 169 BPM - (released: September 2013)

La Roux – Bulletproof – 130 BPM - (released: June 2009)

Robyn – Dancing On My Own – 117 BPM - (released: August 2010)

The Knife – Heartbeats – 104 BPM - (released: January 2002)

Grimes – Oblivion – 112 BPM - (released: June 2012)

CHVRCHES – Leave a Trace – 140 BPM - (released: July 2015)

Owl City – Fireflies – 90 BPM - (released: July 2009)

Carly Rae Jepsen – Run Away With Me – 130 BPM - (released: September 2015)

Imogen Heap – Hide and Seek – ~100 BPM - (released: May 2005)

Dua Lipa – New Rules – 116 BPM - (released: July 2017)

Billie Eilish – Bad Guy – 135 BPM - (released: March 2019)

CHVRCHES – Clearest Blue – 167 BPM - (released: August 2015)

Britpop

🇬🇧🎤🎸

Global average: 115 BPM

BPM Range: 90 BPM-140 BPM

Britpop exploded in the mid-1990s in the UK. It was a reaction to American grunge, re-embracing British pop culture, guitar music, and local identity.

The name “Britpop” refers to British pop-rock. It was known for catchy melodies, clever lyrics, and a pride in Britishness—from accents to everyday references.

It drew from 60s-Beat, guitar-pop , Alternative Rock. Bands like Oasis, Blur, and Pulp made it a cultural phenomenon.

It influenced Indie in Britain, later Brit‑alternative, and shaped the British music scene for decades. It was pop that sounded like Britain.

7 Essential Britpop Songs

Oasis – Wonderwall – 87 BPM - (released: October 1995)

Blur – Song 2 – 130 BPM - (released: April 1997)

Pulp – Common People – 120 BPM - (released: May 1995)

Suede – Animal Nitrate – 101 BPM - (released: March 1993)

Elastica – Connection – 112 BPM - (released: February 1994)

Supergrass – Alright – 140 BPM - (released: May 1995)

Travis – Why Does It Always Rain on Me? – 66 BPM - (released: May 1999)

Afro‑Pop

🌍🎶🔥

Global average: 105 BPM

BPM Range: 90 BPM-130 BPM

Afro‑Pop (African pop) is modern popular music from Africa that fuses local rhythms, languages, and contemporary production. It rose from the 1970s onward across West, East, Southern Africa.

“Afro” refers to African musical traditions; “Pop” points to accessible, radio‑friendly structure. It’s known for dance rhythms, melodic choruses, and high energy.

It draws from highlife, juju, Afrobeat, folk traditions, and also borrows from R&B, hip-hop, electronic.

It influences global Pop, Afrobeats, Afro-fusion, and artists worldwide collaborating across continents.

7 Representative Afro‑Pop Songs

Yemi Alade – Johnny – 110 BPM - (released: August 2013)

Wizkid – Ojuelegba – 100 BPM - (released: August 2014)

Burna Boy – Ye – 100 BPM - (released: August 2018)

Tiwa Savage – All Over – 108 BPM - (released: July 2017)

Davido – If – 104 BPM - (released: February 2017)

Mr Eazi – Leg Over – 100 BPM - (released: February 2017)

Simi – Joromi – 110 BPM - (released: February 2015)

J‑pop

🎌🎶🌸

Global average: 110 BPM

BPM Range: 80 BPM-140 BPM

J‑pop (Japanese pop) grew in Japan from the 1980s onward, influenced by Japanese city pop, idol culture, and Western pop.

The name comes from “Japanese pop.” It’s known for its catchy choruses, strong melodies, and often blending electronic instrumentation with traditional sensibilities.

It draws from Western Pop, Rock, Electronic, and Japanese musical traditions.

It influences anime soundtracks, idol culture, and worldwide pop crossover acts.

7 Representative J‑pop Songs

Utada Hikaru – First Love – 97 BPM - (released: March 1999)

Perfume – Polyrhythm – 130 BPM - (released: July 2007)

Arashi – Love so sweet – 100 BPM - (released: February 2007)

Ayumi Hamasaki – M – 128 BPM - (released: October 2000)

Namie Amuro – Can You Celebrate? – 88 BPM - (released: February 1997)

King & Prince – Cinderella Girl – 120 BPM - (released: May 2018)

RADWIMPS – Zenzenzense – 122 BPM - (released: April 2016)

K‑pop

🎤✨🇰🇷

Global average: 115 BPM

BPM Range: 90 BPM-150 BPM

K‑pop

K‑pop (short for Korean pop) really took off in the 1990s in South Korea and became global in the 2010s. It fuses polished visuals, catchy melodies, choreography, and genre-blending production.

The term “K‑pop” means “Korean popular music.” It’s known for its tight hooks, slick production, and blending of Pop, Hip-Hop, RnB, EDM, Rap, and Korean musical traditions.

In turn, it influences global pop trends, dance styles, and fan culture.

7 Representative K‑pop Songs

Oasis – Wonderwall is not K‑pop; sorry — we’ll pick a real K‑pop song: BLACKPINK – DDU‑DU DDU‑DU – 140 BPM - (released: June 2018)

BTS – Dynamite – 114 BPM - (released: August 2020)

EXO – Growl – 94 BPM - (released: August 2013)

TWICE – Cheer Up – 113 BPM - (released: April 2016)

Red Velvet – Psycho – 124 BPM - (released: September 2019)

Mamamoo – Starry Night – 124 BPM - (released: March 2018 )

SEVENTEEN – Don’t Wanna Cry – 127 BPM - (released: May 2017)

Latin Pop

🌎🎤💃

Global average: 105 BPM

BPM Range: 80 BPM-130 BPM

Latin Pop refers to pop music sung in Spanish (or Portuguese) with Latin rhythms and influences. It rose globally in the 1980s and 1990s via artists like Ricky Martin and Shakira.

It combines traditional Latin styles—salsa, bolero, merengue, Reggaeton—with pop songwriting, catchy hooks, and modern production.

It draws from Latin folk, salsa, tropical music, and modern pop. It influences global pop, reggaeton, Latin trap, and crossover hits.

7 Representative Latin Pop Songs

Shakira – Hips Don’t Lie – 100 BPM - (released: February 2006)

Ricky Martin – Livin’ la Vida Loca – 154 BPM - (released: May 1999)

Enrique Iglesias – Hero – 96 BPM - (released: September 2001)

Luis Fonsi ft. Daddy Yankee – Despacito – 89 BPM - (released: January 2017)

Ricky Martin – Maria – 128 BPM - (released: March 1995)

Selena Gomez & Rauw Alejandro – Baila Conmigo – 92 BPM - (released: May 2021)

Camila Cabello – Havana – 104 BPM - (released: August 2017)

Modern Pop

🎵💎📱

Global average: 120 BPM

BPM Range: 100 BPM-140 BPM

Modern Pop is the mainstream music of today—catchy, polished, and built for radio, streaming, and dance. It took off fully in the 2000s and 2010s.

It’s known for strong hooks, tight production, and blending genres—Electronic, Hip-Hop, RnB, and Rock all meet here. Singers often use Auto-Tune, vocal layering, and digital effects.

It draws from Pop, Electronic, Hip-Hop, RnB. In return, modern pop influences dance, K‑pop, Latin Pop, and more.

If you want something fresh, shiny, and in tune with today’s charts, this is your lane.

7 Essential Modern Pop Songs

Bruno Mars – Uptown Funk – 115 BPM - (released: November 2014)

Dua Lipa – Don’t Start Now – 124 BPM - (released: October 2019)

Taylor Swift – Shake It Off – 160 BPM - (released: August 2014)

Billie Eilish – Bad Guy – 135 BPM - (released: March 2019)

Ed Sheeran – Shape of You – 96 BPM - (released: January 2017)

Ariana Grande – Thank U, Next – 107 BPM - (released: November 2018)

The Weeknd – Blinding Lights – 171 BPM - (released: November 2019)

Dance‑Pop

🎤💃🎵

Global average: 120 BPM

BPM Range: 100 BPM-140 BPM

Dance‑Pop is a pop subgenre built for dancing. It gained major traction from the 1980s onward, evolving alongside electronic production and club culture.

It blends catchy structures with club sensibilities—strong hooks, danceable grooves, electronic beats.

The name says it: pop you can dance to. It’s known for steady beats, synths, polished production, and crossover appeal.

It draws from Pop, Disco, Electronic, House, and in turn influences modern EDM, radio pop, and club pop.

7 Representative Dance‑Pop Songs

Sia – Chandelier – 100 BPM - (released: March 2014)

Kylie Minogue – Can’t Get You Out of My Head – 126 BPM - (released: September 2001)

Lady Gaga – Poker Face – 119 BPM - (released: September 2008)

Madonna – Vogue – 116 BPM - (released: March 1990)

Britney Spears – Toxic – 143 BPM - (released: January 2004)

Dua Lipa – Don’t Start Now – 124 BPM - (released: October 2019)

The Weeknd – Blinding Lights – 171 BPM (feel as dance pop) - (released: November 2019)

Jazz

🎷🎹🎺

Global average: 120 BPM

BPM Range: 80 BPM-200 BPM (depending on style)

Jazz began in late 19th / early 20th century in New Orleans, emerging from African American musical traditions like Blues, Ragtime, spirituals , and brass band music.

The term probably came from early slang; “jazz” originally had connotations of energy, pep, or sexual vigor.

It’s known for improvisation, swing feel, complex harmony, syncopation, and instrumental conversation.

It draws from Blues, Ragtime, spirituals , European harmony.

It gave birth to many subgenres: Swing, Bebop, cool jazz, fusion, Latin jazz, free jazz, and more.

7 Representative Jazz Songs

Louis Armstrong – What a Wonderful World – ~120 BPM - (released: 1967)

Miles Davis – So What – ~138 BPM - (released: 1959)

John Coltrane – Giant Steps – ~260 BPM (fast tempo) - (released: 1959)

Billie Holiday – Strange Fruit – ~74 BPM - (released: 1939)

Thelonious Monk – ’Round Midnight – ~65 BPM - (released: 1957)

Ella Fitzgerald & Louis Armstrong – Summertime – ~88 BPM - (released: 1957)

Chet Baker – My Funny Valentine – ~68 BPM - (released: 1954)

Duke Ellington – Take the “A” Train – ~140 BPM - (released: 1941)

Swing

🕺🎷🎺

Global average: 133 BPM

BPM Range: 120 BPM-160 BPM

Swing grew out of 1920s and 1930s America, especially in jazz orchestras. It dominated dance halls in the 1930s–40s.

The name “swing” refers to the groove—the emphasis on off‑beats and a “triplet” feel that makes you want to dance. It’s known for big bands, brass sections, swinging rhythms, and call‑and‑response between sections.

It draws from Jazz, Ragtime, Blues, and ragged syncopation. It influenced Bebop, jazz revival, Ska, and even modern swing revivals.

7 Essential Swing Songs

Benny Goodman – Sing, Sing, Sing – 160 BPM - (released: July 1937)

Glenn Miller – In the Mood – 168 BPM - (released: 1939)

Duke Ellington – It Don’t Mean a Thing (If It Ain’t Got That Swing) – 144 BPM - (released: 1932)

Count Basie – One O’Clock Jump – 140 BPM - (released: 1937)

Louis Armstrong – A Kiss to Build a Dream On – 130 BPM - (released: 1951)

Coleman Hawkins – Body and Soul – 140 BPM - (released: 1939)

Ella Fitzgerald & Louis Armstrong – Cheek to Cheek – 136 BPM - (released: 1956)

Bebop

🎷⚡🎶

Global average: 180 BPM

BPM Range: 140 BPM-240 BPM (fast)

Bebop (or “bop”) emerged in the early to mid‑1940s in the U.S., particularly among jazz musicians seeking more freedom and complexity.

The name refers to a scat syllable (“bebop”) that captures its rhythmic agility. Bebop is known for fast tempos, intricate melodies, complex harmonies, and virtuosic improvisation.

It evolved from Swing, big band jazz, and earlier jazz styles. In turn, it influenced hard bop, cool jazz, modern jazz, and countless improvisers.

7 Representative Bebop Tracks

Charlie Parker – Now’s the Time – ~170 BPM - (released: 1945)

Dizzy Gillespie – A Night in Tunisia – ~200 BPM - (released: 1946)

Bud Powell – Un Poco Loco – ~180 BPM - (released: 1951)

Thelonious Monk – Epistrophy – ~210 BPM - (released: 1948)

Sonny Rollins – Oleo – ~200 BPM - (released: 1954)

Max Roach – Donna Lee – ~220 BPM - (released: 1948)

Fats Navarro – Nasty – ~180 BPM - (released: late 1940s)

Gypsy Jazz

🎻🎩

Global average: 135 BPM

BPM Range: 100 BPM-160 BPM

Gypsy Jazz, or “Jazz Manouche,” was born in France in the 1930s, most famously from guitarist Django Reinhardt and violinist Stéphane Grappelli.

It’s known for fast, melodic guitar work, rhythmic “la pompe” guitar accompaniment, and virtuosic solos.

It draws from swing jazz, Eastern European Folk, Roma traditions.

It influenced modern acoustic-jazz , latin-jazz , gypsy swing revival, and contemporary guitarists in diverse styles.

La pompe

“La pompe” (French for “the pump”) is the signature rhythm guitar technique in Gypsy jazz — the percussive, swinging engine that drives the music forward.

It’s a two-beat rhythm that replaces drums and creates that unmistakable “chug-chug” groove you hear in Django Reinhardt’s recordings.

7 Essential Gypsy Jazz Songs

Django Reinhardt & Stéphane Grappelli – Minor Swing – ~140 BPM - (released: 1937)

Django Reinhardt – Nuages – 120 BPM - (released: 1940)

Stéphane Grappelli – Swing 39 – 140 BPM - (released: 1939)

Biréli Lagrène – Rue Eugène Sue – 142 BPM - (released: 1985)

Angelo Debarre – Diana – 130 BPM - (released: 1994)

Romane – Bechet’s One – 150 BPM - (released: 2000s)

Stochelo Rosenberg – For Sephora – 135 BPM - (released: 1990s)

Flamenco

🎸🌵🔥💃

Global average: 120 BPM

BPM Range: 80 BPM-160 BPM

Flamenco is from Andalusia, Spain, tracing back to the 18th–19th centuries among Romani (Gitano) communities.

It’s known for passionate vocals (cante), intricate guitar technique (toque), rhythmic handclaps (palmas), and dance (baile).

It draws from Andalusian Folk, Moorish music, Latin influences. It influences flamenco fusion, flamenco‑pop, Latin jazz, and World Music.

7 Essential Flamenco Songs

Paco de Lucía – Entre Dos Aguas – 125 BPM - (released: 1975)

Camarón de la Isla – La Leyenda del Tiempo – 140 BPM - (released: 1979)

Vicente Amigo – Tierra – 110 BPM - (released: 1999)

Tomatito – Soy Gitano – 100 BPM - (released: 2005)

Niña Pastori – Quiero Verte Otra Vez – 120 BPM - (released: 2001)

Ojos de Brujo – Ventilaor R‑80 – 130 BPM - (released: 2004)

Gipsy Kings – Baila Me – 132 BPM - (released: 1987)

Rumba Flamenco

💃🎸🌅

Global average: 120 BPM

BPM Range: 100 BPM-150 BPM

Rumba Flamenco is a substyle of Flamenco, born in the mid-20th century in Spain. It blends flamenco vocals and rhythms with Afro-Cuban Rumba influences.

It’s known for its strumming guitar patterns, hand claps (palmas), danceable feel, and passionate singing.

It derives from traditional Flamenco, Afro-Cuban rhythms (Rumba), and Spanish Gypsy Music.

It has influenced modern flamenco-pop , Latin fusion, and even flamenco jazz.

7 Essential Rumba Flamenco Songs

Paco de Lucía – Entre Dos Aguas – 125 BPM - (released: 1975)

Gipsy Kings – Baila Me – 132 BPM - (released: 1987)

Ketama – Lobo Hombre en París – 128 BPM - (released: 1986)

Vicente Amigo – Tierra – 110 BPM - (released: 1999)

Camarón de la Isla – La Leyenda del Tiempo – 140 BPM - (released: 1979)

Niña Pastori – Quiero Verte Otra Vez – 120 BPM - (released: 2001)

Ojos de Brujo – Ventilaor R-80 – 130 BPM - (released: 2004)

Rumba

💃🌍🎵

Global average: 95 BPM

BPM Range: 80 BPM-120 BPM

Rumba covers multiple styles across Latin and Afro‑Cuban music. It became popular in Cuba in the 19th century and spread across Latin America.

The name “rumba” originally referred to “party” or “entertainment.” In music, it’s known for syncopated rhythms, clave patterns, call-and-response vocals, percussion, and danceable grooves.

It draws from African rhythms, Spanish influences, son cubano, and folkloric traditions. It influenced Salsa, Latin jazz, timba , and modern Afro‑Latin fusions.

It’s music for dancing, celebration, storytelling, and pulse.

7 Representative Rumba / Afro‑Cuban Songs

Buena Vista Social Club – Chan Chan – ~88 BPM - (released: 1997)

Celia Cruz – La Vida Es Un Carnaval – ~98 BPM - (released: 1998)

Ibrahim Ferrer – Dos Gardenias – ~84 BPM - (released: 1997)

El Gran Combo de Puerto Rico – Brujería – ~120 BPM - (released: 1986)

Compay Segundo – Macusa – ~90 BPM - (released: 1997)

Orquesta Aragón – Sabrosona – ~100 BPM - (released: mid‑20th century)

Los Van Van – Sandunguera – ~100 BPM - (released: 1980s)

Mambo

💃🎺🥁

Global average: 150 BPM

BPM Range: 140 BPM-180 BPM

Mambo originated in Cuba in the 1930s/40s as a dance music form, combining African rhythms (son, rumba) and brass-heavy arrangements.

The name “mambo” is from the Kikongo or Afro-Cuban roots meaning “conversation with the gods” or “speech.”

It’s known for syncopated rhythms, call‑and‑response, brass sections, percussion, and danceable grooves.

It draws from son cubano, Afro-Cuban folkloric rhythms (Rumba, danzón), and big band jazz.

It influenced Salsa, Latin jazz, modern Latin dance styles.

7 Representative Mambo Songs

Pérez Prado – Mambo No. 5 – ~160 BPM - (released: 1950s)

Tito Puente – Oye Como Va – ~150 BPM - (released: 1963)

Celia Cruz & Johnny Pacheco – Quimbo Quimbumbia – ~145 BPM - (released: 1972)

Dizzy Gillespie & Chano Pozo – Manteca – ~175 BPM - (released: 1947)

Machito – Mambo Inn – ~140 BPM - (released: 1947)

Beny Moré & Pérez Prado – Mi Amigo Mambo – ~155 BPM - (released: 1950s)

Gloria Estefan & Miami Sound Machine – Dr. Beat – ~144 BPM - (released: 1984)

Salsa

🌴🥁🎺

Global average: 180 BPM (or 90 BPM in half‑time feel)

BPM Range: 160 BPM-220 BPM (in dance terms)

Salsa developed in 1960s–70s New York City, especially among Puerto Rican and Cuban immigrant communities.

The name “salsa” literally means “sauce”—a spicy, mix of rhythms, cultures, and energy.

It’s known for clave pattern, horn sections, tumbao bass, call‑and‑response vocals, and energetic dance grooves.

It draws from son cubano, Afro‑Cuban rhythms, Mambo, jazz, and Latin dance traditions. It influenced Latin jazz, timba, modern salsa romántica, and global Latin music.

7 Representative Salsa Songs

Héctor Lavoe – El Cantante – ~180 BPM - (released: 1978)

Celia Cruz – La Vida Es Un Carnaval – ~98 (in salsa flow) - (released: 1998)

Willie Colón & Héctor Lavoe – El Gran Varón – ~172 BPM - (released: 1986)

Rubén Blades & Willie Colón – Pedro Navaja – ~185 BPM - (released: 1978)

Marc Anthony – Vivir Mi Vida – ~128 BPM (adapted tempo) - (released: 2013)

Gilberto Santa Rosa – Que Manera de Quererte – ~180 BPM - (released: 1987)

Rubén Blades – Buscando América – ~180 BPM - (released: 1984)

World Music

🌐🎶🌿

Global average: very variable (depends on region)
BPM Range: wide (from slow chants to fast dances)

“World Music” is a broad and loose term, coined in the late 20th century to categorize music from non-Western traditions or cross‑cultural fusions.

It’s known for its diverse instrumentation, folk rhythms, local melodic systems, and blending of traditional and modern elements.

It derives from all global traditions—folk, indigenous, ethnic, traditional, tribal, and blends with Pop, Jazz, Electronic.

It influenced fusion genres, global Pop, “worldbeat”, and cross-cultural collaborations.

Some World Music Tracks

Youssou N’Dour – 7 Seconds (with Neneh Cherry) - (released: July 1994)

Ali Farka Touré & Taj Mahal – “Savane” - (released: 2006)

Buena Vista Social Club – Chan Chan - (released: 1997)

Nusrat Fateh Ali Khan – Mustt Mustt - (released: 1990)

Tinariwen – Sastanàqqàm - (released: 2011)

Anoushka Shankar – Land of Gold - (released: 2016)

Rokia Traoré – Moussolou - (released: 2006)

Afrobeat

🥁🌍🎷

Global average: 105 BPM

BPM Range: 90 BPM-120 BPM

Afrobeat was pioneered in Nigeria in the late 1960s–1970s by Fela Kuti (with Tony Allen on drums). It blends political message with danceable groove.

The name fuses “Afro” (African rhythms) + “beat” (strong rhythmic pulse). It’s known for long grooves, heavy percussion, horn riffs, call‑and‑response lyrics, and extended instrumental sections.

It draws on highlife, Jazz, FUNK, Yoruba / traditional African music.

Afrobeat influenced Afro‑pop, Afro‑electronic, Afrotronic, and modern African fusion genres.

7 Representative Afrobeat / Afrobeat‑influenced Songs

Fela Kuti – Water No Get Enemy – 100 BPM - (released: 1975)

Fela Kuti – Zombie – 105 BPM - (released: 1976)

Fela Kuti – Gentleman – 110 BPM - (released: 1973)

Femi Kuti – Beng Beng Beng – 107 BPM - (released: 2008)

Seun Kuti & Egypt 80 – Black Times – 101 BPM - (released: 2018)

Tony Allen – Secret Agent – 98 BPM - (released: 2009)

Antibalas – Dirty Money – 108 BPM - (released: 2007)

Classical Music

Baroque Era

🎻🎼🕯️

Global average: variable (usually moderate)
BPM Range: variable (adagio to presto)

The Baroque era in Western music spans roughly 1600 to 1750.

The term “baroque” comes from Portuguese barroco, meaning “oddly shaped pearl”, later used by critics to suggest overly ornate style.

Baroque music is known for ornamentation, contrapuntal texture, bass continuo, dramatic contrast, and expressive harmony.

It builds on Renaissance traditions and leads toward the Classical Era.

It influenced Classical Era, romantic-era , and modern composers, and shaped forms like concerto, fugue, sonata, suite.

7 Representative Baroque Works**

Johann Sebastian Bach – Brandenburg Concerto No. 3, Mvt 1 – (variable tempo) - (composed: c. 1721)

George Frideric Handel – Water Music Suite, Allegro - (composed: 1717)

Antonio Vivaldi – The Four Seasons: “Spring” Allegro - (composed: 1723)

Bach – Toccata & Fugue in D minor - (composed: early 1700s)

Domenico Scarlatti – Sonata in D minor, K.141 - (composed: early 18th century)

Arcangelo Corelli – Concerto Grosso Op.6 No.8 “Christmas Concerto” - (composed: 1690)

Henry Purcell – Dido’s Lament (from Dido and Aeneas) - (composed: c. 1689)

Classical Era

🎼🎹🏛️

Global average: variable (often moderate/clean)
BPM Range: variable (adagio to allegro)

The Classical era in Western music covers roughly 1750–1820.

It followed the Baroque and moved toward clarity, balance, and structural simplicity. Composers emphasized natural expression, clear forms, and order.

It’s known for sonata form, symposium, string quartet, piano concerto, and more transparent textures rather than heavy ornamentation.

It draws on the baroque tradition, but reduces complexity in favor of elegance and reason.

It influenced Romantic and later music, and remains central to concert repertoire today.

7 Representative Classical Era Works

Wolfgang Amadeus Mozart – Symphony No. 40, K.550, mvt I - (composed: 1788)

Ludwig van Beethoven – Symphony No. 1 in C Major, Op. 21 - (composed: 1799)

Joseph Haydn – The Surprise Symphony (No. 94), mvt II - (composed: 1791)

Mozart – Piano Concerto No. 21, Andante - (composed: 1785)

Beethoven – Moonlight Sonata, 1st movement - (composed: 1801)

Haydn – Trumpet Concerto in E flat, Allegro - (composed: 1796)

Romantic

🎼❤️✨

Global average: variable (often moderate to expressive)
BPM Range: wide (from slow adagio to passionate allegro)

The Romantic era in Western classical music spanned roughly 1820 to 1900.

Composers of that time pushed emotional expression, dramatic contrasts, and imaginative storytelling in music.

The term “Romantic” references the broader Romantic movement in arts—focusing on emotion, nature, the individual, and the sublime.

Musically, it’s known for lush orchestration, wider dynamics, expanded harmonic language, and expressive melodies.

It grew from Classical forms but transformed them with more emotional freedom. It influenced later programs, impressionism, film scores, and modern romantic styles.

7 Representative Romantic Era Works (Classical)

Frédéric Chopin – Nocturne in E‑flat Major, Op. 9 No. 2 - (composed: ~1830)

Franz Schubert – “Ave Maria” - (composed: 1825)

Hector Berlioz – Symphonie Fantastique, Mvt. IV “March to the Scaffold” - (composed: 1830)

Robert Schumann – Kinderszenen, Op. 15: “Traumerei” - (composed: 1838)

Johannes Brahms – Hungarian Dance No. 5 - (composed: 1869)

Pyotr Ilyich Tchaikovsky – Swan Lake, Theme - (composed: 1875–1876)

Franz Liszt – Liebestraum No. 3 - (composed: 1850)

Spiritual Music

✝️🌿🎶

Global average: 70 BPM

BPM Range: 50 BPM-100 BPM

Spiritual music typically refers to music with religious or contemplative themes, often used in worship or meditation.

It has deep roots in traditions like Gospel, chant, hymns, and sacred music across cultures.

It’s known for reverent lyrics, simple melodies, and emotional resonance.

It draws from sacred traditions: gospel, Christian hymnody, liturgical music, world religious music.

It has influenced gospel, Christian contemporary music, New Age, Ambient, and Healing genres.

7 Representative Spiritual / Sacred Songs

John Newton / traditional – Amazing Grace – ~66 BPM - (released: 1779)

Hillsong Worship – What a Beautiful Name – 71 BPM - (released: July 2016)

Chris Tomlin – How Great Is Our God – 70 BPM - (released: July 2004)

Enya – Only Time – 73 BPM - (released: November 2000)

Lauryn Hill – To Zion – 76 BPM - (released: February 1998)

Sinead O’Connor – Nothing Compares 2 U – 98 BPM - (released: February 1990)

Enigma – Return to Innocence – 67 BPM - (released: October 1994)

Healing

🕊️✨🎧

Global average: 60 BPM

BPM Range: 50 BPM-90 BPM

“Healing music” (also called “healing” or “new-age healing”) isn’t a strict musical genre. It’s more a purpose‑driven style where the goal is relaxation, restoration, and calm.

It’s known for gentle, repetitive melodies, ambient textures, soft dynamics, and sparse arrangements.

It often uses loops, pads, nature sounds, or minimal instrumentation.

It draws heavily from Ambient, New Age, minimal, therapeutic, and soundscape music.

It influences Meditation Music (Strum, Breathe, Smile: Easy Ukulele Mantras For You), spa playlists, ambient electronic, and musical therapy.

When people want to breathe, rest, or heal, healing music offers a sonic hug.

7 Representative Healing or Ambient Tracks

432 Hz Deep Healing Music – ~60 BPM - (released: March 2016)

Enya – Only Time – 73 BPM - (released: November 2000)

Ludovico Einaudi – Nuvole Bianche – ~60 BPM - (released: 2004)

Sigur Rós – Sæglópur – ~70 BPM - (released: October 2005)

Max Richter – On the Nature of Daylight – ~58 BPM - (released: 2004)

Brian Eno – An Ending (Ascent) – ~62 BPM - (released: 1983)

Moby – Porcelain – 95 BPM - (released: May 2000)

Laraaji – Celestial Vibration – ~55 BPM - (released: 1979)

Deuter – Temple of Silence – 65 BPM - (released: 1981)

Enya – Watermark – 67 BPM - (released: 1988)

Steve Roach – Structures from Silence – ~50 BPM - (released: 1984)

Sigur Rós – Untitled #3 (Samskeyti) – ~60 BPM - (released: 2000)

Hammock – Turn Away and Return – ~40 BPM - (released: 2007)

New Age

🌿🕊️🎧

Global average: 70 BPM

BPM Range: 50 BPM-100 BPM

New age music began gaining attention in the 1970s and 1980s, often associated with meditation, nature, wellness, and spiritual themes.

The name “new age” reflects its connection to spiritual or holistic practices. It’s known for calm textures, ambient pads, gentle melodic lines, and blending acoustic and electronic elements.

It draws from Classical Era, Ambient, Folk, World Music, and sometimes synthesizer soundscapes. Over time, it influenced Ambient, Healing music, sound therapy, and relaxation genres.

Its purpose is often more about mood than structure—music as solace, space, and inner rest.

7 Representative New Age Tracks

Enya – Only Time – 73 BPM - (released: November 2000)

George Winston – Variations on the Kanon – 80 BPM - (released: 1996)

Kitaro – Silk Road – 68 BPM - (released: 1980)

Yanni – One Man’s Dream – 75 BPM - (released: 1991)

Enigma – Return to Innocence – 67 BPM - (released: October 1994)

Vangelis – Conquest of Paradise – 80 BPM - (released: 1992)

Loreena McKennitt – The Mystic’s Dream – 90 BPM - (released: 1994)

Meditation Music

🧘‍♀️🌌🎶

Global average: 60 BPM

BPM Range: 40 BPM-90 BPM

Meditation Music is designed to support mindfulness, relaxation, and inner peace. It draws from ambient, new age, classical, world, and healing traditions.

It often features slow evolving textures, soft drones, minimal or no percussion, and calming melodies or nature sounds. The term is more functional than stylistic.

It influences yoga soundtracks, mindfulness apps, spa music, therapeutic soundscapes, and ambient relaxation genres.

7 Representative Meditation Music Tracks

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Deuter – Temple of Silence – 65 BPM - (released: 1981)

Brian Eno – Thursday Afternoon – ~50 BPM - (released: 1985)

Liquid Mind – Relaxing Rain – ~60 BPM - (released: 1999)

Anoushka Shankar – Land of Gold (Instrumental) – ~70 BPM - (released: 2016)

Moby – God Moving Over the Face of the Waters – ~55 BPM - (released: 1995)

Mantra

🧘‍♀️🔔🌿

Global average: 60 BPM

BPM Range: 40 BPM-90 BPM

Mantra music is meditative and devotional. It often comes from Hindu, Buddhist, and yogic traditions. It rose in popularity in the West during the 20th century alongside yoga and spiritual movements.

“Mantra” is a sacred word or phrase repeated to focus the mind. The music supports that repetition, with minimal accompaniment, ambient drones, and calm voice or chants.

It draws from chant, kirtan, Indian classical, and spiritual music. It influences yoga playlists, New Age, Healing, Ambient, and world fusion.

7 Representative Mantra / Chant Tracks

Deva Premal – Om Mani Padme Hum – ~60 BPM - (released: 2002)

Snatam Kaur – Ong Namo – ~70 BPM - (released: 1998)

Krishna Das – Baba Hanuman – ~65 BPM - (released: 1995)

Jai Uttal – Gurudev – ~55 BPM - (released: 2004)

Snatam Kaur – Long Ek Ong Kar – ~60 BPM - (released: 1998)

Karunesh – Call of the Mystic – ~58 BPM - (released: 1995)

Deva Premal & Miten – Gayatri Mantra – ~62 BPM - (released: 2005)

Various relaxing music

Ambient

☁️🎧🔊

Global average: 60 BPM

BPM Range: 40 BPM-80 BPM

Ambient music emerged in the 1970s, growing from experimental electronic and minimalist traditions. Brian Eno is often credited with shaping and naming it.

The term “ambient” implies music that surrounds you—less about strong beats, more about atmosphere and texture. It’s known for drones, soft evolving pads, sparse events, and slow movement.

It draws from Electronic, minimalism , field recordings, experimental music. Ambient influenced New Age, soundscape, cinematic music, modern Electronic genres.

It’s music you can live inside.

7 Representative Ambient Tracks

Brian Eno – An Ending (Ascent) – ~62 BPM - (released: 1983)

Aphex Twin – Rhubarb – ~55 BPM - (released: 1994)

Harold Budd & Brian Eno – The Plateaux of Mirror – ~60 BPM - (released: 1980)

Stars of the Lid – Requiem for Dying Mothers, Part 1 – ~50 BPM - (released: 1998)

William Basinski – dlp 1.1 – ~45 BPM - (released: 2009)

Tim Hecker – The Piano Drop – ~70 BPM - (released: 2009)

Max Richter – Sleep – ~55 BPM - (released: 2015)

Synthwave

🌆✨🌌

Global average: 100 BPM

BPM Range: 80 BPM-115 BPM

Synthwave (aka retrowave) is a modern genre inspired by 1980s electronic, movie soundtracks, and video game music.

The name combines “synth” (synthesizer) + “wave” (as in new wave / neon wave aesthetics).

It’s known for lush synth pads, retro drums, nostalgic melodies, neon textures, and cinematic vibes.

It draws from ’80s synthpop , Electronic, film scores, and VHS-era aesthetics. It feeds into vaporwave, outrun, dreamwave, and retro revival pop.

7 Representative Synthwave Songs

Kavinsky – Nightcall – 87 BPM - (released: February 2010)

Perturbator – Future Club – 108 BPM - (released: 2014)

Carpenter Brut – Turbo Killer – 92 BPM - (released: 2015)

Gunship – Fly for Your Life – 105 BPM - (released: 2018)

Timecop1983 – On the Run – 100 BPM - (released: 2015)

Electric Youth & College – A Real Hero – 121 BPM - (released: 2011)

FM‑84 – Running in the Night – 102 BPM - (released: 2016)

LoFi

🎧☕🌙

Global average: 80 BPM
BPM Range: 60 BPM-100 BPM

LoFi (short for “low fidelity”) music emphasizes warmth, imperfections (tape hiss, vinyl crackle), relaxed grooves, and minimalism.

Many loFi producers use tempos around 70–90 BPM for chill, laid-back feel.

It draws from Hip-Hop, Jazz, Ambient, chillhop , and sample‑based traditions. It influences study playlists, background music, chillwave, and modern beat culture.

7 Representative LoFi Songs / Beats

Nujabes – Feather – 85 BPM - (released: 2005)

J Dilla – So Far to Go – ~84 BPM - (released: 2006)

Idealism – Controlla – ~80 BPM - (released: 2016)

Joji – Lonely – ~77 BPM - (released: October 2017)

Shook – Window – ~72 BPM - (released: 2019)

Kendall Miles – Garden – ~90 BPM - (released: 2017)

Lofi Fruits Music – Late Night Walk – ~68 BPM - (released: 2021)

Chillwave

🌅✨🎹

Global average: 85 BPM–105 BPM
BPM Range: 70 BPM-120 BPM

Chillwave emerged in the late 2000s, especially online and via bedroom producers.

It’s dreamy, nostalgic, lo‑fi, and wistful. It uses vintage synths, soft vocals, reverb, and hazy textures.

The name “chillwave” hints at relaxed, wavering sound. It draws from synthpop, dream pop, and electronic nostalgia.

It influenced subgenres like Vaporwave, LoFi, ambient pop, and retro electronic art.

7 Representative Chillwave Tracks

Washed Out – Feel It All Around – ~100 BPM - (released: 2009)

Toro y Moi – Blessa – ~95 BPM - (released: 2011)

Neon Indian – Deadbeat Summer – ~88 BPM - (released: 2009)

Wild Nothing – Chinatown – ~105 BPM - (released: 2010)

Memory Tapes – Bicycle – ~100 BPM - (released: 2009)

Tiny Vipers – Dreamer – ~80 BPM - (released: 2009)

Emancipator – Safe in the Steep Cliffs – ~90 BPM - (released: 2008)

Vaporwave

📼🔮🌐

Global average: 60 BPM–90 BPM (often slowed)
BPM Range: 40 BPM-120 BPM (extreme flexibility)

Vaporwave surfaced in the early 2010s, born on the Internet as a kind of ironic, dreamy remix culture.

It slows, warps, chops, and recontextualizes 1980s/90s smooth jazz, lounge, pop, and elevator music.

The term comes from “vaporware”—software that’s promised but never delivered—suggesting something ghostly, elusive.

It draws from Chillwave, plunderphonics, New Wave, muzak, and retro pop.

It’s influenced art pop, sampling culture, future funk, and internet aesthetic movements (mallsoft, hardvapour).

Representative Vaporwave Tracks

Macintosh Plus – 420 / A Million Miles – ~80 BPM (looped) - (released: 2011)

Vektroid – Floral Shoppe (album piece) – ~60 BPM - (released: 2011)

Daniel Lopatin – Eccojams Vol. 1 “Nobody Here” – ~70 BPM - (released: 2010)

Saint Pepsi – Fiji – ~100 BPM - (released: 2013)

Blank Banshee – Teen Pregnancy – ~88 BPM - (released: 2012)

Luxury Elite – Late Night Delight – ~75 BPM - (released: 2014)

Gypsy Music

🎻🌍🔥

Global average: 120 BPM

BPM Range: 80 BPM-160 BPM (varies widely)

“Gypsy music” typically refers to the musical traditions of the Romani / Roma people, blended with local folk traditions.
The term “gypsy” is rooted in European exonym for Romani, though many prefer “Romani music.

An exonym is a name for a place or group of people that is only used outside that place or group. In this example, Romani didn't call themselves "Gypsy".

It’s known for expressive violin, accordion, guitar, vocal ornamentation, fast tempos, improvisation, and emotional intensity.

It draws from Indian roots, Balkan folk, Turkish, Eastern European, Flamenco influences.

It has influenced Gypsy jazz, world fusion, Balkan pop, and cross-cultural genres.

7 Representative Gypsy Music / Romani Tracks

Taraf de Haïdouks – Ciocârlia – (fast Romanian Roma tune)

Gipsy Kings – Bamboleo – ~120 BPM - (released: 1987)

Django Reinhardt & Stéphane Grappelli – Minor Swing – ~140 BPM - (released: 1937)

Taraf de Haïdouks – Rustem – (Romanian fiddle tune)

Fanfare Ciocărlia – Hora din Urum – (Balkan brass / Romani)

Saban Bajramovic – Đelem, Đelem – (classic Romani song)

Esma Redžepova – Chaje Šukarije – (Roma song from Balkans)

Ragtime

🎹🕰️🎶

Global average: 160 BPM (or ~80 BPM when played in half‑time feeling)
BPM Range: 140 BPM-180 BPM (or 70 BPM-90 BPM in slow versions)

Ragtime originated in late 19th‑century African American communities in the U.S., gaining popularity in the early 1900s.

The name “ragtime” refers to “ragged time,” meaning syncopated (off‑beat) rhythms. It’s known for syncopation, left‑hand regular march/bass patterns, and right‑hand syncopated melodies.

Ragtime drew from marches, cakewalks, African rhythms, and popular piano styles of the time.

It influenced Jazz, stride piano, and early 20th‑century popular music forms.

7 Representative Ragtime Songs

Scott Joplin – The Entertainer – ~160 BPM (or ~80 in slow feel) - (composed: 1902)

Scott Joplin – Maple Leaf Rag – ~160 BPM - (composed: 1899)

Scott Joplin – The Ragtime Dance – 167 BPM - (composed: ~1902)

James Scott – Frog Legs Rag – ~150 BPM - (composed: 1906)

Joseph Lamb – Bohemia Rag – ~140 BPM - (composed: 1919)

Scott Joplin – Pine Apple Rag – ~145 BPM - (composed: 1908)

Arthur Marshall – Globe Trotter Rag – ~160 BPM - (composed: 1915)

Conclusion

I was delighted to present you this article. It was a very long one to make. But it’s so interesting!!

There are so many music genres out there. Each one has its own vibe, rhythm, and story. And as a ukulele player, you can try them all!
(You'll have a jolly good time, even if some genres are harder to come close to with your ukulele).

I hope I’ve been helpful today. I had so much fun putting all of this together for you.

If you’d like to go further, you could try learning a song from a genre you’ve never played before. That’s a great way to grow!

And of course, if you’d like to get to the next level, feel free to try a one-to-one free ukulele lesson. I’d be happy to help!

Sources and inspiration includes :
stack exchange: List of average genre's tempo
wikipedia: List of popular music genres
bpmdatabase
londonhuawiki.wpi.edu
studio.dubroom.org

Would you like some help on the regular basis?

Why not book a lesson .

You'll have the help of an expert to progress and improve, while keeping it fun.

I hope this article has helped you :)

Have a fantastic day!

And you?

Feel free to leave a comment below.

Hey there! Looking for a fun way to strum your way into the world of music?

Well, look no further! I'm Nicholas, your friendly ukulele teacher extraordinaire! With my expertise and a sprinkle of laughter, I'll have you strumming those strings like a pro in no time.

Get ready to unleash your inner musician and embark on a musical journey.